Andrew Lambirth talks to John Richardson, biographer and friend of the artist John Richardson has spent a lifetime in the company of great art and artists, and is justly celebrated for his ability to evoke, explain and evaluate their work in beautiful prose. Best known as the biographer of Picasso, he has written about many
Matthew Warchus tells Henrietta Bredin why he is directing an American play inspired by Molière Rehearsing is an extraordinarily intensive, exploratory, deeply engaging business and director Matthew Warchus, emerging from a long day’s work on his new production of La Bête, by David Hirson, takes a while to change gear, blinking slightly dazedly as we
Maria Stuarda; Rusalka Opera North, in Leeds and on tour until July Carmen Royal Opera House, until 26 June Donizetti’s Maria Stuarda is most celebrated for the apocryphal meeting of Mary Queen of Scots and Elizabeth, in which Mary descends to some coarse insults, backed up, in Antony McDonald’s new production for Opera North, by
Ajami 15, Key Cities This week I’m reviewing an independent foreign film of the kind which is possibly only showing in a cinema several miles away from you, but do not complain, as the walk will do you good and also put colour in your cheeks. This film is Ajami, and while it is set
The Late Middle Classes Donmar, until 17 July Lilies of the Land Arts, until 17 July Plotless plays are usually the work of beginners or nutcases. Very occasionally they’re produced by seasoned theatrical wizards. Simon Gray belongs to the third type. The Late Middle Classes is an absorbing and often hilarious portrait of the buttoned-up
The idea that one can take guns and syringes out of the hands of disaffected youths and replace them with musical instruments, which they then delight to play, is so utopian that most people’s reaction was to laugh it off. The idea that one can take guns and syringes out of the hands of disaffected
‘Do you remember listening to the radio for the very first time?’ asked David Hendy at the beginning of his thought-provoking series of late-night essays on Radio 3 (which you should still be able to catch on Listen Again). ‘Do you remember listening to the radio for the very first time?’ asked David Hendy at
In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the clingy, footie-loving, curry-scoffing, lager-glugging, belly-baring, deeply annoying best friend in Gavin and Stacey. In spite of the hype, I enjoy the World Cup. But I don’t enjoy the omnipresent James Corden, who played the
