abstract expressionism

Anish Kapoor’s Cloud Gate in Millennium Park

In search of Chicago’s artistic past – and present

14 October 2017 9:00 am

The Windy City has inspired everyone from Hemingway to Saul Bellow – and now William Cook

‘Gas’, 1940, by Edward Hopper

The good, the bad and the ugly: RA’s America after the Fall reviewed

25 February 2017 9:00 am

The latest exhibition at the Royal Academy is entitled America after the Fall. It deals with painting in the United…

‘Bed’, 1955, by Robert Rauschenberg

The first half is essential – the second much less so: Tate's Robert Rauschenberg reviewed

3 December 2016 9:00 am

Robert Rauschenberg, like Autolycus in The Winter’s Tale, was a ‘snapper-up of unconsidered trifles’. Unlike Shakespeare’s character, however, he made…

‘Man eating Jalebee’, by Bhupen Khakhar (1976)

Modern figurative art — abstraction’s poor relation —gets a timely advocate

12 November 2016 9:00 am

Timothy Hyman’s remarkable new book makes the case for the relevance of figurative painting in the 20th century, a period…

In search of New York’s artistic past – and present

15 October 2016 9:00 am

As the Royal Academy hosts the abstract expressionists, John Gimlette heads to New York in search of its painterly haunts

Majestic, exhilarating and overpowering: Royal Academy’s Abstract Expressionism reviewed

1 October 2016 9:00 am

Martin Gayford is dazzled by the scale, majesty and visual power of the Royal Academy’s Abstract Expressionism show

'Lion Hunt', 1861, by Eugène Delacroix

Galleries are getting bigger - but is there enough good art to put in them?

2 January 2016 9:00 am

Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year

‘Untitled’, 1963, by Gillian Ayres

Britain's abstract painters deserve more attention than America's abstract expressionists

21 November 2015 9:00 am

Fifteen million pounds and a hefty slice of architectural vision have transformed the Whitworth from a fusty Victorian art temple…

Richard Diebenkorn at the Royal Academy reviewed: among the best visual evocations of LA there are

21 March 2015 9:00 am

It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…

‘Orange, Red, Yellow’, 1956, by Mark Rothko

A strain of mysticism is discernible in the floating colour fields of Mark Rothko’s glowing canvases

7 March 2015 9:00 am

Philip Hensher on the perverse, tormented Mark Rothko, whose anger and depression — often painfully apparent in his art — only increased with his success

Finding his feet: ‘Untitled (man and two women in a pastoral setting)’, 1940

How Rothko become the mythic superman of mystical abstraction

1 November 2014 9:00 am

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in…