abstract expressionism

Virtuosic exploration of paint: Frank Bowling at Tate Britain reviewed

8 June 2019 9:00 am

‘The possibilities of paint,’ Frank Bowling has observed, ‘are endless.’ The superb career retrospective of his work at Tate Britain…

‘Flip Top’, 1962, by Richard Smith

In the 1960s the brightest star of British art was Richard Smith – and you can see why

24 November 2018 9:00 am

It is easy to assume that the contours of art history are unchanging, its major landmarks fixed for ever. Actually,…

Anish Kapoor’s Cloud Gate in Millennium Park

In search of Chicago’s artistic past – and present

14 October 2017 9:00 am

The Windy City has inspired everyone from Hemingway to Saul Bellow – and now William Cook

‘Gas’, 1940, by Edward Hopper

The good, the bad and the ugly: RA’s America after the Fall reviewed

25 February 2017 9:00 am

The latest exhibition at the Royal Academy is entitled America after the Fall. It deals with painting in the United…

‘Bed’, 1955, by Robert Rauschenberg

The first half is essential – the second much less so: Tate's Robert Rauschenberg reviewed

3 December 2016 9:00 am

Robert Rauschenberg, like Autolycus in The Winter’s Tale, was a ‘snapper-up of unconsidered trifles’. Unlike Shakespeare’s character, however, he made…

‘Man eating Jalebee’, by Bhupen Khakhar (1976)

Modern figurative art — abstraction’s poor relation —gets a timely advocate

12 November 2016 9:00 am

Timothy Hyman’s remarkable new book makes the case for the relevance of figurative painting in the 20th century, a period…

In search of New York’s artistic past – and present

15 October 2016 9:00 am

As the Royal Academy hosts the abstract expressionists, John Gimlette heads to New York in search of its painterly haunts

Majestic, exhilarating and overpowering: Royal Academy’s Abstract Expressionism reviewed

1 October 2016 9:00 am

Martin Gayford is dazzled by the scale, majesty and visual power of the Royal Academy’s Abstract Expressionism show

'Lion Hunt', 1861, by Eugène Delacroix

Galleries are getting bigger - but is there enough good art to put in them?

2 January 2016 9:00 am

Martin Gayford recommends the exhibitions to see — and to avoid — over the coming year

‘Untitled’, 1963, by Gillian Ayres

Britain's abstract painters deserve more attention than America's abstract expressionists

21 November 2015 9:00 am

Fifteen million pounds and a hefty slice of architectural vision have transformed the Whitworth from a fusty Victorian art temple…

Richard Diebenkorn at the Royal Academy reviewed: among the best visual evocations of LA there are

21 March 2015 9:00 am

It is true that, like wine, certain artists don’t travel. Richard Diebenkorn, subject of the spring exhibition in the Royal…

‘Orange, Red, Yellow’, 1956, by Mark Rothko

A strain of mysticism is discernible in the floating colour fields of Mark Rothko’s glowing canvases

7 March 2015 9:00 am

Philip Hensher on the perverse, tormented Mark Rothko, whose anger and depression — often painfully apparent in his art — only increased with his success

Finding his feet: ‘Untitled (man and two women in a pastoral setting)’, 1940

How Rothko become the mythic superman of mystical abstraction

1 November 2014 9:00 am

Mark Rothko was an abstract artist who didn’t see himself as an abstract artist — or at least not in…