baroque music

Sarah Tynan's mesmerising Lucia in ENO's Lucia di Lammermoor. Photo: John Snelling

Real psychological horror and a mesmerising heroine: ENO’s Lucia di Lammermoor reviewed

3 November 2018 9:00 am

How do you solve a problem like Lucia? Murder, madness, abuse, possibly even incest, all set to a soundtrack of…

OPERA
The ENO Chorus in Acis and Galatea. Photo: Dani Harvey

A fun evening that finished early enough for dinner – neither a given in Handel

23 June 2018 9:00 am

On a sward of AstroTurf somewhere off Silicon Roundabout, Mountain Media is hosting its summer party and, well, it’s the…

Detail of Cantata ‘Es ist das Heil’, BWV9

I don't get why people worship Bach

16 June 2018 9:00 am

I don’t get Johann Sebastian Bach. I mean, I get that he was good — no Mozart, sure, but definitely…

Time to ditch authenticity for early music Proms

12 August 2017 9:00 am

They say the first step towards recovery is admitting that you have a problem. So I’m staging an intervention and…

It’s a mad, mad, mad, mad world: Barbara Hannigan (Ophelia) and Allan Clayton (Hamlet) in Hamlet at Glyndebourne

Shattering climaxes and showstopping singing: Glyndebourne’s Hamlet reviewed

17 June 2017 9:00 am

Brett Dean’s new opera for Glyndebourne is a big-hearted romantic comedy, sunny and life-affirming. Only joking — this is contemporary…

Love Handel: Christine Rice (Juno), Heidi Stober (Semele) and Jurgita Adamonyte (Ino) in Semele at Garsington

First-rate musical performance & production: Garsington’s Semele reviewed

10 June 2017 9:00 am

Handel’s Semele, one of the most enjoyable operas (or opera-oratorio, if you insist) in the repertoire, is, in its upshot,…

Harpsichordists at war

27 May 2017 9:00 am

Harpsichordists are supposed to make love, not war: Sir Thomas Beecham famously compared the sound they make to ‘two skeletons…

Bach at its most bruising and gruff: Kyung Wha Chung at St George’s, Bristol, reviewed

13 May 2017 9:00 am

Coined in 1944, ‘completism’ is a modern term for a modern-day obsession. What began as a phenomenon of possession —…

Luther’s music had an even greater impact than his words

29 April 2017 9:00 am

It’s 500 years since Martin Luther pinned his 95 Theses to the door of the Castle Church in Wittenberg, sparking…

A marvellous occasion – but could it not have been pruned? Il ritorno d’Ulisse reviewed

22 April 2017 9:00 am

Monteverdi 450 — the Monteverdi Choir and English Baroque Soloists’ tour of his three operas to 33 cities across two…

This is how you reimagine Bach’s St John Passion

22 April 2017 9:00 am

‘The dripping blood our only drink/ The bloody flesh our only food…/ Again, in spite of that, we call this…

A ravishing Rameau premiere – pity the choreography was pure Bez

15 April 2017 9:00 am

The English weren’t the first cowpat composers. Jean-Philippe Rameau raised the art of frolicking in the fields to such heights…

Slyly surreal: Christopher Alden’s Partenope at ENO

Denial has rarely looked so good: ENO’s Partenope reviewed

25 March 2017 9:00 am

Ceci n’est pas une Partenope. Forget the warring classical kingdoms of Naples and Cumae: this is surrealist Paris in the…

‘Portrait of a Musician’, thought to be Claudio Monteverdi, c.1590, by a Cremonese artist

The true radical genius of Monteverdi is not in the operas but in the madrigals

18 February 2017 9:00 am

On his 450th anniversary, Alexandra Coghlan celebrates the composer’s remarkable musical prescience

The thrills are in the visuals: Philip Glass’s Les Enfants Terribles reviewed

4 February 2017 9:00 am

Kids: who’d have them? Certainly no one who has ever been to the opera. If they’re not murdering you, they’re…

Performing the Goldberg Variations on the piano involves too many compromises

1 October 2016 9:00 am

The churning, rheumatic mechanism of a harpsichord — notes needling your ears like drops of acid rain — doesn’t necessarily…

Does the great Bach conductor Masaaki Suzuki think his audience will burn in hell?

12 March 2016 9:00 am

Damian Thompson talks to the great Bach conductor — and strict Calvinist — Masaaki Suzuki

Can this year’s Gesualdo celebrations be about the music rather than the blood and gore?

2 January 2016 9:00 am

The allure of Carlo Gesualdo, eighth Count of Conza and third Prince of Venosa, has been felt by music-lovers from…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

The Baroque composer who was a world music pioneer

19 September 2015 8:00 am

On Private Passions this week the writer Amitav Ghosh gave us a refreshingly different version of what has become a…

Hans-Joachim Roedelius (Photo: Gary Wolstenholme/Redferns)

Four of the best albums to write books by

8 August 2015 9:00 am

I have been writing a book this summer, in the usual mad tearing hurry. (Much as I admire those who…

Identity crisis: Rachele Gilmore as Alice

Alice in Wonderland at the Barbican reviewed: too much miaowing

14 March 2015 9:00 am

Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…

Does anyone have the balls to bring back castrati?

3 January 2015 9:00 am

One of the most complete bars to the authentic performance of both baroque opera and some renaissance polyphony is the…