Book review

Changing lanes

It’s fair to say Sonja Hansen’s life has stalled. Forties, tall and ungainly, veteran of failed relationships, she’s an uncomfortable fit for modern life in bustling Copenhagen. Geographical, spiritual and emotional immobility is expressed in her physical lack of ease, including ‘positional vertigo’ which renders the manoeuvre of the title difficult. Not without a certain quiet defiance, she still feels unable to fire her driving instructor, aggressive, non-stop-nattering Jytta, who won’t let her shift the gears herself. In between bouts of gossip and racist abuse of other drivers, Jytta bellows instructions at her cowering pupil: ‘GREEN ARROW, TURN GODDAMMIT, BIKE!’ In this short novel Nors manages to condense the essence

Bear essentials

In Yoko Tawada’s surreal and beguiling novel we meet three bears: mother, daughter and grandson. But there will be no porridge or bed-testing here: these are bears with a difference. Tawada has form in animal-linked fiction: The Bridegroom Was a Dog won a major Japanese award. Writing in Japanese and German, she is a prizewinner in both countries. This three-part novel, felicitously translated from the German by Susan Bernofsky, draws us deep into the lives of her ursine trio. Transcending anthropomorphism, her beasts retain their essential ‘bear-ness’ in the human world. Mama bear, an ex-performer in a Moscow circus, is savvy, opinionated and scatty: ‘I hate making small talk about

Charming old fox

Talleyrand was 76 when he took up the post of French ambassador in London in 1830. Linda Kelly deals only with the last phase of Talleyrand’s long and tumultuous career, but this short book brings him marvellously to life. He was not an impressive figure. Little over 5’3” in height, he walked with a limp —one leg was in an iron brace. ‘Always dress slowly when you are in a hurry,’ was one of his maxims, and each morning during his lengthy toilette his valet coiffed his long, straggly white locks with curling tongs. One wag described him as ‘a big packet of flannel enveloped in a blue coat and

The best sort of magic realism

Michael Fishwick’s new novel tells the story of a young man called Robbie, who has been uprooted from his London home after his mother’s death. He finds himself in rural Dorset, where he inhabits a capacious present that has ample room for the intrusions of the mythic past. Struggling with his loss, Robbie has taken to using arson to express his rage — which is why his father, having rapidly acquired a new partner and a couple of stepdaughters, has moved the family to his old childhood home to make a new start. But it’s an ancient start that this landscape has on offer. Robbie makes friends with a girl

Mach the Knife

The business of banking (from the Italian word banco, meaning ‘counter’) was essentially Italian in origin. The Medici bank, founded in Florence in 1397, operated like a prototype mafia consortium: it rubbed out rivals and spread tentacles into what Niccolò Machiavelli called the alti luoghi (‘high places’) of local power interests. Undoubtedly, Medici money was at its most arrogant under the dictatorship of the merchant-poet Lorenzo de’ Medici, whose supremacy was dramatically challenged in the Pazzi conspiracy of 1478. Amid a fury of dagger blows in Florence’s cathedral (of all places) Lorenzo narrowly escaped assassination by bravos in the pay of the rival Pazzi family. In retribution, 70 presumed conspirators

The road to independence

Alone with her father’s dead body, Olive Piper says, ‘I don’t know anything, except what I feel, and how can anyone know more?’ In Susan Hill’s new novel, Olive’s acceptance of the primacy of feeling represents a coming of age. Her maturity is achieved at a cost. As in a number of her recent novels — Black Sheep and A Kind Man — Hill explores with great economy an idea of the ubiquity of differentness. Olive, her very name suggestive of something drab and unobtrusive, is a girl of conventional background: in appearance and, apparently, outlook and ability, she is unremarkable. Her life seems predestined for ordinariness. As a schoolgirl

Prophesying doom

Boualem Sansal’s prophetic novel very clearly derives its lineage from George Orwell’s Nineteen Eighty-Four. A totalitarian surveillance state, a fundamentalist religious autocracy, is portrayed as being totally intolerant of free-thinkers. This is a powerful satire on an Islamist dictatorship. It is unsurprising that Sansal’s writings are censored in his native Algeria. The religious structure of the political state is familiar. The one true god is Yolah and his prophet or ‘Delegate’ is Abi. Abi’s book, the Gkabul, is the foundation of the religion; it is sacrosanct and immutable. Places of worship are mockbas and the nation is named Abistan after the true disciple. There are nine calls to prayer each

A genial green guide to 2000 AD

I can recall exactly where I was 40 years ago when I didn’t buy the first issue — or ‘prog’ —of 2000 AD. The just-launched sci-fi comic, featuring ‘space-age dinosaurs’, ‘the new Dan Dare’ and a ‘FREE SPACE SPINNER’, i.e. a mini frisbee, looked quite exciting and, at 8p, good value for pocket money; but, as a regular nine-year old consumer of Whizzer and Chips etc., I stuck with my usual comedy fare and opted for a copy of Buster instead. It was a decision I soon came to regret (eh readers?) I can also recall exactly where I was when I bought the most recent issue of 2000 AD

Forbidden love and the beautiful game

Nowadays, most of us living in the liberal West agree that there can never be anything morally wrong with love between consenting adults. This is good for society but bad for novelists. The tale of the grand passion that runs foul of societal mores is a staple of literature. What is Madame Bovary if Emma can slam divorce papers on Charles’s desk after her first few sexts with Rodolphe? Writers who want to do the love versus society theme have to get creative. Ross Raisin has hit on the sterling idea of heading for the world of professional football. Not a single one of Britain’s 5,000 full-time players is openly

The mysteries of colour

When Australia imposed generic packaging in its war on cigarettes, there was consumer research into the most deterrent colour. Pantone 448 was chosen, a sort of sludgy green-brown. When it was described as ‘olive’, Oz’s federation of olive growers formally complained. Certainly, colours move us. Interior designers know that yellow makes people angry, while in the US Naval Correctional Center in Seattle, what’s known as Baker-Miller Pink (after the officers who created it) has been found to pacify stroppy recidivists. Additionally, as Diana Vreeland averred, pink is the navy blue of India. Racing drivers think green unlucky, even if it is the British national colour in motorsport. We sometimes see

Melanie McDonagh

Reason and faith

Roy Hattersley would never have been born had it not been that his mother ran away with the parish priest who instructed her in the Catholic faith before her marriage to a collier — the priest conducted the wedding; a fortnight later they eloped. This deplorable episode had one happy consequence: the birth of Roy, who never knew the reason for his father’s ease with Latin until after he died. So Roy is in a way a small part of his latest book, The Catholics, a history of the church and its people in Britain since the Reformation. He is an atheist but says, ‘Religion in general — belief in

Secrets of the secretaries

The minister’s private secretary wrote to another cabinet minister about the previous day’s cabinet meeting: They cannot agree about what occurred. There must have been some decision, as Bright’s resignation shows. My chief has told me to ask you what the devil was decided, for he be damned if he knows. Will you ask Mr G. [Gladstone] in more conventional and less pungent terms? That was in 1882. Twenty years later, the fog still reigned. Sir Robert Morant, the driving force behind Balfour’s 1902 Education Act, wrote: Impossible to find out after a cabinet meeting what has actually been the decision. Salisbury does not seem to know or care, and

Speckled Footman and Maiden’s Blush

Last year, I attempted to pass through security in an American airport carrying a small black box, containing eight batteries and a visible circuit board. If the switch was flipped, the display counted down in red flashing numbers. Unsuprisingly, the officer in Salt Lake City pulled it out of my hand baggage. ‘What’s this?’ ‘It’s to attract moths,’ I said; then, thinking this sounded feeble, added rather grandly, ‘I’m a lepidopterist.’ ‘Say that again.’ So I did, and a huge grin lit up the face of my interrogator. ‘Hey, y’all,’ he called out to his colleagues. ‘C’mon on over, listen to this… Say it again.’ I passed on with my

Descent into hell

In my work as a reviewer, a small, steady proportion of all the books publishers send me concern the Holocaust. With middle age has come a curious foreshortening of my perspective on modern history so that, paradoxically, the Nazis’ inhumanity has begun to seem less distant in time and, therefore, more horrible still. Fortunately I can reassure myself that, objectively, it happened long ago and that even the atrocities of eastern Europe and Rwanda are now a couple of decades safely in the past. Such consolations vanish when confronted by The Raqqa Diaries, which is shockingly of the present. It is a terrible reminder that we are unwise to impute

Night of the living dead

On 5 February 1862, the night Abraham Lincoln and his wife gave a lavish reception in the White House, with the civil war swelling outside and their 11-year-old son Willie dying of typhoid fever upstairs, what was the state of the moon? Was it a ‘fat green crescent’? Or was it ‘yellow-red, as if reflecting the light of some earthly fire’? According to George Saunders’s hugely ambitious Lincoln in the Bardo, his first novel after four peerless collections of short stories, neither of the above descriptions might be true, but when read in their tragic context, either can impart symbolic meaning. And meaning, as this novel so cleverly demonstrates, is

Father, son and holy ghost

No disrespect to any of the present incumbents, but Karl Miller (1931–2014) was a literary editor in an age when such jobs mattered. Between the late 1950s and the early 1970s he not only ran the books pages of two weekly magazines — The Spectator, and the Paul Johnson-era New Statesman — before moving on to edit the Listener, but did so with a conviction that their cultural stance was quite as important as the political material that crowded out the front end. The virus that had propelled him into literary journalism burned away for nearly 60 years, and his last book review appeared in these pages four days before

Carve their names with pride

‘Women,’ Captain Selwyn Jepson, SOE’s senior recruiting officer, once wrote, ‘have a far greater capacity for cool and lonely courage than men.’ This questionable assumption is not actually the reason why the women were recruited. That was down to their ability to move around enemy-occupied territory carrying messages, arms or heavy wireless sets without arousing as much suspicion as able-bodied men. But lonely courage was an essential virtue for the female agents, who had to face long weeks of keeping a low profile, with very little support, in between hours of terrifying activity. Most of them only met each other during training or, in several cases, in detention after capture.