Budapest festival orchestra

Wednesday

Igor Toronyi-Lalic

The West has much to learn from Hungarian culture

In central Budapest a crew from Hungary’s state TV is filming the unveiling of a new street sign. In honour of his centenary year composer Gyorgy Ligeti now has a road named after him. Contemporary classical music is deemed newsworthy in Hungary. Even more astonishingly – and anyone working in British classical music might want to sit down at this point – the ‘Ligeti 100’ concert at the Budapest Music Centre, dedicated to a clutch of bracing new works, was being filmed for transmission prime time on the Hungarian equivalent of BBC1. Here, we’d be lucky if it got a midnight slot on Radio 3. If much of the West’s

Thursday

Richard Bratby

Deserves to become an ENO staple: The Cunning Little Vixen reviewed

Spoiler alert. The last words in Janacek’s The Cunning Little Vixen come from a child playing a frog. The story has come full circle — there was a frog near the start of Act One, and naturally you assume it’s the same one. But no: ‘That wasn’t me. That was my grandaddy. He used to tell me about you.’ It’s the final sad-sweet sting; the orchestra swells and the curtain falls. Perfection. Or so Janacek thought, anyway: ‘To end with the frog is impossible,’ insisted his German translator Max Brod — the same well-meaning meddler who either rescued or (according to taste) wrecked Kafka. Brod wanted a final hymn to

Saturday

Richard Bratby

Bleak humour, resourcefulness and wit: Budapest Festival Orchestra’s Quarantine Soirées reviewed

There’s a certain merit in bluntness. ‘Quarantine Soirées’ was what the Budapest Festival Orchestra called its response to the crisis, and if the name conveyed a certain bleak Magyar humour, the resourcefulness couldn’t be faulted. Elsewhere, orchestras were still talking optimistically about broadcasting concerts from empty halls, and (even more optimistically) about persuading online viewers to pay for them. Realising that any activity that brings 90 musicians into close proximity was probably running out of road, the BFO’s music director Ivan Fischer announced that ‘this is not the time for orchestral music’ and launched a programme of chamber recitals by the orchestra’s players, livestreamed from their rehearsal hall. Logging on