Christian Curnyn

Philipp Fürhofer's handsome and often ingenious designs for the Royal Opera's overcomplicated new production of The Queen of Spades. Photo: ROH 2018 / Catherine Ashmore

Never quite pivots from thesis to drama: Royal Opera’s Queen of Spades reviewed

19 January 2019 9:00 am

We increasingly accept the collision between life and art. Whether we’re puzzling over the real identity of Elena Ferrante, choosing…

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

Slyly surreal: Christopher Alden’s Partenope at ENO

Denial has rarely looked so good: ENO’s Partenope reviewed

25 March 2017 9:00 am

Ceci n’est pas une Partenope. Forget the warring classical kingdoms of Naples and Cumae: this is surrealist Paris in the…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…