Danielle de Niese

Individual performers make their mark: Jacques Imbrailo as Billy Budd and Alasdair Elliott as Squeak

An abdication of interpretative responsibility: Royal Opera’s Billy Budd reviewed

4 May 2019 9:00 am

The climactic central scene of Benjamin Britten’s Billy Budd ends unexpectedly. The naval court has reached a verdict of death,…

Visual whipped cream and cheoreographic sprinkles at Garsington fail to disguise the festering horror underneath Rossini’s ‘L’italiana in Algeri’

Why are Rossini’s comedies so hard to pull off?

11 June 2016 9:00 am

Rossini is the meat-and-two-inappropriately-shaped-veg of summer opera; he’s the wag in the novelty bow tie, the two satyrs shagging enthusiastically…

Animal magic: François Piolino as the Frog in ‘L’enfant et les sortilèges’

Glyndebourne’s Ravel double bill comes close to perfection

15 August 2015 9:00 am

When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…