Dorfman theatre

This production needs more dosh: Good, at the Harold Pinter Theatre, reviewed

Good, starring David Tennant, needs more dosh spent on it. The former Doctor Who plays John, a literary academic living in Germany in 1933, whose cosy life is disrupted by troublesome females. His mum is a cranky basket case dying in hospital and his wife is a manic depressive who can’t look after their kids. Both women speak with Scottish accents. John has a fling with a third Scotswoman who studies Goethe at his university. Weirdly, all three women – mum, wife and girlfriend – are played by the same actress. Couldn’t the producers fork out for a proper cast? They certainly didn’t spend more than a fiver on the

Two hours of bickering from a couple of doughnut-shaped crybabies: Middle, at the Dorfman Theatre, reviewed

‘I fink I doan luv yew any maw.’ A marital bust-up drama at the National Theatre opens with a whining Cockney, Maggie, telling her City whizzkid husband Gary that their relationship is over. Gary and Maggie are aspriring underclass types who’ve achieved bourgeois prosperity: John Lewis kitchen, vintage wine rack and a ceramics collection. They have an eight-year-old daughter at a private school where she learns ballet steps and the piano instead of watching road-rage videos on YouTube like a council-house kid. She’s called Annabelle, by the way, and one wonders if Gary and Maggie style themselves ‘Garfield and Margaret’ at the school gate. It’s hard to know why a

One of the best nights of my life: Hampstead Theatre’s Peggy For You reviewed

Hampstead Theatre has revived a play about Peggy Ramsay, the legendary West End agent who shaped the careers of Joe Orton, Robert Bolt, David Hare and others. We first meet her on the phone to a dramatist whose new script is good but, warns Peggy, it must not be produced because it will damage his career. She hates ‘fine writing’ and she knows how easily a scribbler can be corrupted by praise, awards and cash. Peggy is one of those rare creatures whom everyone wants to please and whose faults are considered charming oddities. Some might find her maddeningly fey but this show, directed by Richard Wilson, is part of

Tsunami of piffle: Rockets and Blue Lights at the Dorfman Theatre reviewed

Deep breath. Here goes. Winsome Pinnock’s new play about Turner opens with one of the most confusing and illogical scenes you’re ever likely to see. A teacher on a school trip is showing her pupils a Turner painting displayed in a gallery housed inside a ship donated by the producers of a film starring a famous actress, Lou, who happens to be on board wearing a sumptuous outfit for an awards ceremony, which she plans to avoid for fear that a coveted prize will be handed to a rival. Lou invites the school teacher to an after party that is scheduled to start when the awards ceremony ends. She then