Every bit as well observed as Rembrandt – and often funnier: Nicolaes Maes reviewed
Nicolaes Maes (1634–93) relished the simple moments of daily life during the Dutch Golden Age. A woman peeling parsnips over a bowl; a young girl threading a needle; a peasant lugging pails of milk to sell on the doorstep. His paintings are sensitive, not showy, and, as you would expect from a pupil of Rembrandt, rendered with the most exquisite use of light. Maes was apprenticed to the Dutch master for about five years in his teens. He returned to Amsterdam later in life, but worked for two decades in his hometown of Dordrecht, 11 miles southeast of Rotterdam. Several of his paintings, including ‘The Apostle Thomas’ and ‘Christ Blessing
