Fashion

Fashion shoot

With documentary-makers these days, it can be hard to tell the difference between faux-naivety and the real thing. (Personally, I blame Louis Theroux.) Take BBC2’s Absolutely Fashion: Inside British Vogue (Thursday), directed and narrated by Richard Macer, who often seems suspiciously dazzled by whatever he sees: the editor’s office! The editor’s chair! He also has a tendency to proudly offer observations that aren’t necessarily as startling as he thinks: that the magazine appears to be largely run by women, for instance. But where it’s even trickier to decide whether he’s faking or not is when his off-screen voice anxiously wonders whether Alexandra Shulman, the editor in question, wants him there

Barometer | 1 September 2016

Behind the cover-up Some facts about Burkinis: — The Burkini was invented by Ahedi Zanetti, a Lebanese-born Australian businesswoman, in 2004 after watching her niece trying to play netball in a hijab. — Muslim lifeguards started wearing them on Sydney beaches in 2007. — According to Zanetti, 40% of her customers are non-Muslim. — Two years ago, several swimming pools in Morocco were reported to have banned them for hygiene reasons. Drowning by numbers Five men drowned at Camber Sands in Sussex after being trapped playing football on a sandbank. Where did the 311 people who drowned in Britain last year die? Coast/beach 95 River 86 Out at sea 26

Tanya Gold

Real legs and fake people

The Soho Hotel is an actors’ hotel. They come for press junkets and interviews that reveal nothing because there is nothing to reveal; in fact, I have long suspected that this consuming nothingness, screamed across newsprint with all the conviction of denial, is the point of them; anything to evade reality and bring forth the realm of stupid. So it doesn’t matter that the Soho Hotel doesn’t know what it is; that is a benefit, quite possibly a design. Actors don’t know who they are either, and this is why they feel comfortable in the Soho Hotel. It is another mirror. It is part of the Firmdale Group, which has

Diamond geezers

Ring a ding-ding — here comes the he-bling. Tony Blair started it. The war, that is. On good taste. This summer he was photographed on holiday relaxing in shark-print trunks and gangsta sunglasses under a blue Mediterranean sky. The former prime minister was on a yacht off the coast of Sicily but — uh oh! — what in the name of sunken treasure was that monstrosity moored between his moobs? Closer inspection revealed it to be a giant gold cross, gleaming like a gilded anchor submerged in greying seaweed. Look at the size of that thing! Perhaps it comes in useful for skewering sardines off the grill at a beach

Women must be free to wear the bikini – and the burkini

‘Let’s play a game. Yohji or Burkini?’ a friend and fellow fashion writer in Paris lazily suggested. We were sitting by Paris Plage, on deckchairs on the edge of the river Seine. Tourists, families, screaming infants and the usual Paris bobos, clad, this year, in impeccably chic austerity, with hardly a square centimetre of skin revealed, all mingle. Our conclusion was that it’s hard to tell the difference between conceptual designer Yohji Yamamoto’s latest outfits and the modest styles worn for religious reasons. The burkini, designed in 2003 in Australia but barely known in France until recently, could also easily be worn by both fashion divas or the devout. Yet it has now become a subject of

The misery of black tie

Men don’t look good in black tie. They might think that they look like Sean Connery in Dr No, but they end up looking like David Brent at the Wernham-Hogg annual Christmas do. Black tie doesn’t lend parties glamour; it just makes them depressing. The one good thing about black tie is that it is an invariably reliable pointer to a terrible evening. Agonising teenage balls, with adolescents clashing braces in dark corners? Black tie. Boorish sports club dinners at university? Black tie. Prize-giving evenings in cavernous hotel ballrooms? Black tie. Business conventions with an after-dinner speech by Jeffrey Archer? Black tie. The words ‘black tie’ on an invitation hope

Diary – 19 May 2016

Not only are today’s young girls having to work hard on their abs, butts and glutes, now the likes of Gwyneth Paltrow and Kim Kardashian are instructing the poor lambs in the art of keeping their ‘lady garden’ in mint condition. Subject to the approval of their best mates, apparently, the formerly taboo subject of ‘down south’ is now open for discussion. Some celebs now cultivate, manicure and moisturise the ‘no-fly zone’ with as much effort as they put into their faces. Whatever next? Will Ryan Gosling and Brad Pitt suddenly inform all studs how to take care of their gentleman’s gentleman? I’ve been on Twitter for four years now

Beware the Lycra louts

Spring is here and the air is alive with the sound of sweaty manmade materials rubbing together, as middle-aged cyclists fill every road, dressed head to toe in Lycra. They whizz along, jumping red lights, weaving in and out of the path of trucks, screaming at pedestrians and taxi drivers; barely evading death three times a morning. Lycra isn’t just a fabric; it’s a state of mind. At work, these often portly, always angry, red-faced individuals might be mild-mannered middle managers who work in marketing. But in their cycling kit they are superheroes who happen to swear a lot. The double Olympic champion Laura Trott was once asked to help

Bangkok

Last time I went to Thailand, there’d been something of a misunderstanding about accommodation, and my friend and I ended up in a dive on Khao San Road. In a grim room with stained mattresses and peeling paint, the thud of beats from the disco made everything vibrate gently. Stalls outside offered fake IDs, tatty souvenirs and novelty edible insects. I’m not averse to eating crickets, but these ones needed embalming fluid, not cooking oil. So we took a tuk-tuk across town to the Grand Palace, just seeking a break from sunburned students in short shorts drawling about full-moon parties. Instead, what happened next was one of the highlights of

Fashion faux pas

‘I’m pretty sure there’s a lot more to life than being really, really, ridiculously good-looking,’ said a pouty Derek Zoolander back in 2001. Well, apparently not. Because Zoolander 2, the long-awaited sequel to Ben Stiller’s cult hit undercutting the male-model industry, is a good-looking bore, a fashion faux pas where hot celebrities such as Kate Moss, Penélope Cruz and Kim Kardashian are parachuted in to make a relentlessly dreary script look good. Except they don’t. They can’t. What on earth was Stiller thinking? Or Owen Wilson, back here as the loveable frenemy Hansel. Or, for that matter, the endless parade of fashion and rock-star cameos? Anna Wintour, Justin Bieber, Sting.

A box of delights | 11 February 2016

How could you possibly justify a whole book about buttons? How could the mention of a humble wooden toggle, a diamond clasp, a ‘blue side buckle’ inspire such an unusual and irresistibly delightful account of more than a century’s worth of women’s lives? You might wonder. But as Lynn Knight sorts her way through her Victorian grandmother Annie’s old treasures, a rich hoard of buttons of infinite shapes, sizes and textures, all packed into an old sweet tin, the smell of the lemon-scented geranium in Annie’s house comes hurtling through the door of her mind and returns her with a technicolour clatter to childhood. This is a book to make

Brass tacks

The last time I reviewed a restaurant in Selfridges, a PR man rang up to ask what he could do to change my opinion of Selfridges. Don’t worry, I told him, Spectator readers don’t go to Selfridges to sit in a fake Cornish fishing village, because they are too busy eating the remnants of the Labour party. And they don’t care about shopping. You don’t dress a Spectator reader. You upholster it. I felt guilty about mocking the stupid fake Cornish fishing village so I avoided the next themed restaurant in Selfridges, which was a fake forest on the roof (‘inspired by an autumnal forest’… because who can be bothered

The medium is the message

Molly Crabapple is an American artist and Drawing Blood is the story of her life. That life has only been going on since 1983, but despite its author’s relative youth Drawing Blood is a valuable political document. It tells of a life lived in struggle — against the prospect of going dead broke, against gross misogyny within the arts and against sex workers, against the obscene wealth splattering the fine art business — redeemed by intoxicating levels of exposure, then finally reoriented by a new political consciousness. Crabapple describes an artistic childhood followed by a pretentious adolescence spent performance-reading Nietzsche and hating everybody. Bored of America, the teenage Crabapple goes

Center Parcs Longleat – a stealth socialist utopia on Lord Bath’s estate

Center Parcs Longleat is a holiday village in a forest in Wiltshire, on Lord Bath’s estate, so you can never be entirely sure that you will not see a man dressed as a wizard having sex up against a tree. I thought it would be a fake forest, like the pines you see wilting from the M25, but it is a proper forest, with shrubs, deer, puddles and lakes. But for the looming presence of Center Parcs, which operates five ‘villages’ in England as emergency respite care for people with young children, it would be paradise. The centrepiece — the altar — is the ‘subtropical swimming paradise’ which floats, like

High life | 3 December 2015

 New York Things turn very frivolous around this time of year. Barf-inducing parties given by pop-culture schlock merchants selling their wares are a nightly transgression. The hacks duly report the shenanigans of doped-up rappers the next day as once upon a time they detailed the haut monde. London isn’t much better. Last week, at the British Fashion Awards, a designer by the name of Jonathan Anderson said that he was ‘honoured to be on the same stage as Karl Lagerfeld’ — a bum-clenchingly vapid pronouncement if ever I’ve heard one. Lagerfeld is a preening, self-important freak whose trademark is rudeness and that other badge of ultimate ghastliness, the ponytail. Over

Why most four-year-olds deserve to be sectioned

The first episode of Let Us Entertain You (BBC2, Wednesday) definitely couldn’t be accused of lacking a central thesis. Presenter Dominic Sandbrook began by arguing that, since its industrial heyday, Britain has changed from a country that manufactures and exports things into one that, just as successfully, manufactures and exports popular culture. He then continued to argue it, approximately every five minutes, for the rest of the programme. By way of proof, Sandbrook presented a fairly random collection of postwar Britain’s greatest hits, which served both as examples and as opportunities for some nifty wordplay designed to hammer the point home still further. The fact that Black Sabbath, for instance,

The V&A must be mad to reject Margaret Thatcher’s wardrobe

The V&A have defended their decision to turn down the offer of Margaret Thatcher’s wardrobe on the basis that it only collects items of ‘outstanding aesthetic or technical quality’ rather than those with ‘intrinsic social historical value’. Yet in the same statement, they also suggest that the museum is responsible for ‘chronicling fashionable dress’. I’m not entirely sure how the V&A believes it can fillet out the ‘social historical value’ from their aim of ‘chronicling fashionable dress’. I’m also not sure I believe them. Thatcher is a divisive figure, and many people – some of them, presumably curators at the V&A, dislike her intensely. I do not know whether Martin Roth, the German

DVF worship

Girl is back for half-term so I’ve been able to watch nothing but crap on TV this week. Some of you will say, ‘Oh come on! You pay the bills, so you get to control the remote.’ But that’s not how things work when you’ve got a teenage girl at home. Especially not one whose ankle you have been responsible for breaking. So crap, I’m afraid, is what I’m going to have to review. Not, it must be said, that the crap has all been crap. House of DVF (E! Online), for example. I’ve mentioned it before and the reason I’m mentioning it again is the matchless insights it offers

Independents’ day

I really hadn’t meant to write a postscript to last week’s column on my dark Supertramp past. But then along came a TV programme which reminded me: I WAS cool once. It happened after Oxford when I became, almost simultaneously, both an acid-house freak and an indie kid. And BBC4’s three-part special — Music For Misfits: The Story of Indie (Friday) — captured quite brilliantly what it was like to live in that golden era of floppy fringes, black Levis, obscure music, psychotropic substances and DM boots. Watching it, I knew just how it must have been for combat veterans watching The World at War in 1973. Same distance in

Something fishy

Selfridges is skilled at making things that are not hideous (women) look hideous (women dressed as Bungle from Rainbow or a tree, after shopping at Selfridges). So I was not surprised to discover that it has summoned a ‘pop-up’ restaurant to its roof. It is called Vintage Salt and it is based on a Cornish fishing village. Not a real one, such as Newlyn, but a fake one, such as Padstow, which is based on Selfridges anyway. Selfridges shoppers do not want reality but a half-remembered contortion of something they read in Vogue while having their hair dyed banana yellow in St John’s Wood High Street in the company of