Gerald Finley

Handsome and revivable but I wasn't moved: Royal Opera's Death in Venice reviewed

30 November 2019 9:00 am

Premièred within two years of each other, Luchino Visconti’s film and Benjamin Britten’s opera Death in Venice both take Thomas…

Sunyoung Seo as Liù, Alastair Miles as Timur and Rafael Rojas as Calaf in Opera North’s production of Turandot

Puccini at his most enjoyably reprehensible: Opera North’s Turandot reviewed

6 May 2017 9:00 am

Some opera-lovers prefer concert performances to full stagings. I don’t. It’s that whole Gesamtkunstwerk thing: opera needs to be seen…

Powerful and upsetting: Pelléas et Mélisande at the Barbican reviewed

16 January 2016 9:00 am

There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…

The gang rape was the least offensive thing about Royal Opera's new William Tell

4 July 2015 9:00 am

There’s no such thing as a tasteful rape scene — or there certainly shouldn’t be. It’s an act of grossest…

Parsifal has anxiety, rage, near-madness — unfortunately the Royal Opera's version doesn't

14 December 2013 9:00 am

Debussy’s description of the music of Parsifal as being ‘lit up from behind’ is famous; less so is Wagner’s own…