Glyndebourne

Sun & Sea (Marina), the Golden Lion-winning opera at the Venice Biennale. Photo: © Andrej Vasilenko

If opera survives, it’ll be thanks to artists and curators, not opera houses

25 May 2019 9:00 am

It was bucketing it down in Venice, yet the beach was heaving. Families, lovebirds, warring kids, a yappy mutt, all…

Psycho thriller: Samuel Barber’s Vanessa at Glyndebourne Festival

Magnificent: Vanessa at Glyndebourne reviewed

11 August 2018 9:00 am

‘Outside this house the world has changed. Life is swifter than before; there is no time for idle gestures.’ Anatol,…

Christina Gansch as Mélisande in Pelléas et Mélisande at Glyndebourne Festival

Vexing reading of a perplexing opera: Glyndebourne’s Pelléas et Mélisande reviewed

7 July 2018 9:00 am

The femme fatale was invented in France. A giddy, greedy child in her first incarnation, as the antiheroine of Abbé…

Rachel Willis-Sorensen as the Marschallin and Kate Lindsey as Octavian in Der Rosenkavalier at Glyndebourne Festival

Glyndebourne’s Der Rosenkavalier never forgets to be funny

2 June 2018 9:00 am

‘Comedy for music by Hugo von Hofmannsthal. Music by Richard Strauss.’ That’s what the creators of Der Rosenkavalier wrote on…

Roger Allam as John Christie in David Hare’s The Moderate Soprano

A champion actor and fully paid-up member of the human race: Roger Allam interviewed

26 May 2018 9:00 am

On stage Roger Allam has covered pretty much everything in his four decades as an actor. Off it, he is a fully paid-up member of the human race, as Michael Henderson discovers

Much is routine – and a fair amount is worse: Glyndebourne’s Madama Butterfly reviewed

26 May 2018 9:00 am

There is no such thing as a moderately good performance of Madama Butterfly, or, to be more precise, it’s not…

Claude Debussy and his daughter Chouchou near Arcachon, France, 1915

Debussy, Tippett and Wagner: the musical treats of 2018

6 January 2018 9:00 am

Richard Bratby on the musical treats in store over the year to come

Excellent but there’s too much larking about: ENO’s Rodelinda reviewed

4 November 2017 9:00 am

ENO has revived Richard Jones’s production of Handel’s Rodelinda. It was warmly greeted on its first outing in 2014, though…

It’s a mad, mad, mad, mad world: Barbara Hannigan (Ophelia) and Allan Clayton (Hamlet) in Hamlet at Glyndebourne

Shattering climaxes and showstopping singing: Glyndebourne’s Hamlet reviewed

17 June 2017 9:00 am

Brett Dean’s new opera for Glyndebourne is a big-hearted romantic comedy, sunny and life-affirming. Only joking — this is contemporary…

Insufferable rubbish: Glyndebourne’s Hipermestra reviewed

27 May 2017 9:00 am

Anyone who thinks they have experienced absolute boredom, or even doubts that such a state can exist, should go to…

Thinking inside the box: Stéphanie d’Oustrac (Béatrice) and the chorus in ‘Béatrice et Bénédict’ at Glyndebourne

Are Glyndebourne taking le piss? Béatrice et Bénédict reviewed

30 July 2016 9:00 am

It takes a particularly wilful wit to alight on Berlioz’s Béatrice et Bénédict as the perfect operatic nod to a…

Glyndebourne on a summer’s eve was Arcadia

30 July 2016 9:00 am

I know little about human medicine: still less about the animal equivalent. So I had always assumed that vets were…

In search of Mozart’s Tempest

16 July 2016 9:00 am

This must rank as the most heartbreaking example of premature chicken-counting in musical history. ‘Gotter has made a marvellous free…

Fantastic Ms Fox: Elena Tsallagova as Vixen Sharp-Ears in ‘The Cunning Little Vixen’

Garsington Opera understands Eugene Onegin better than Tchaikovsky did

25 June 2016 9:00 am

Tchaikovsky knew what he thought of the title character of his Eugene Onegin. ‘I loved Tatyana, and was furiously indignant…

Visual whipped cream and cheoreographic sprinkles at Garsington fail to disguise the festering horror underneath Rossini’s ‘L’italiana in Algeri’

Why are Rossini’s comedies so hard to pull off?

11 June 2016 9:00 am

Rossini is the meat-and-two-inappropriately-shaped-veg of summer opera; he’s the wag in the novelty bow tie, the two satyrs shagging enthusiastically…

For the ultimate posh picnic, the sky’s the limit

11 June 2016 9:00 am

Hoping for a clear blue summer of al fresco dining? Laura Freeman finds the ultimate kit for the poshest picnics

The Heckler: those behind the Proms this year have the imagination of a dead fish

30 April 2016 9:00 am

BBC Proms 2016 is about as exciting as my sock drawer. But it’s unclear who exactly is to blame. The…

Reading the Mirror’s new newspaper makes me want to throw myself on a bonfire

5 March 2016 9:00 am

On Monday I went to the newsagent to buy the newspapers and picked up the first issue of a new…

Anna Devin as Alcina and Nick Pritchard as Ruggiero in ‘La Liberazione di Ruggiero’ at Brighton Early Music Festival

Has there ever been a better time to be a lover of Baroque opera?

28 November 2015 9:00 am

Time was when early music was a 6 p.m. concert, Baroque began with Bach and ended with Corelli’s Christmas Concerto,…

How the Germans made Glyndebourne

21 November 2015 9:00 am

This is hardly the time of year for picnics on the lawn, but I have nevertheless had a week dominated…

Going ape: Bertie Carvel as Yank

Glyndebourne caters to the lower-middle classes not past-it toffs

7 November 2015 9:00 am

What is Glyndebourne? A middle-aged Bullingdon. That’s a common view: a luxury bun fight for past-it toffs who glug champagne,…

Animal magic: François Piolino as the Frog in ‘L’enfant et les sortilèges’

Glyndebourne’s Ravel double bill comes close to perfection

15 August 2015 9:00 am

When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…

An abundance of spectacle: Iestyn Davies as David, with Sophie Bevan as Michal

Startling and sublime - even the candles got a round of applause: Glyndebourne’s Saul reviewed

1 August 2015 9:00 am

Caius Gabriel Cibber’s statues of ‘Melancholy’ and ‘Raving Madness’, their eyes staring blindly into the void, petrified in torment, once…

When is a rape not a rape? Fiona Shaw's Rape of Lucretia at Glyndebourne reviewed

11 July 2015 9:00 am

When is a rape not a rape? It’s an unsettling question — far more so than anything offered up by…

Dressing up for the opera is not elitist

13 June 2015 9:00 am

It’s June, and the country-house summer opera festivals are now in full swing. Glyndebourne, which opened the season last month,…