Handel

Identity crisis: Rachele Gilmore as Alice

Alice in Wonderland at the Barbican reviewed: too much miaowing

14 March 2015 9:00 am

Charles Lutwidge Dodgson loved little girls. He loved to tell them stories, he loved to feed them jam, he loved…

Alice Coote and Sarah Tynan in ‘Xerxes’ at ENO

Royal Opera's Rigoletto: your disbelief may wobble but your excitement won't

4 October 2014 9:00 am

One of the greatest tests of how an opera house is functioning is the quality of its revivals. Both the…

Spectator letters: In defence of women ministers, Handel and lefty sex

26 July 2014 9:00 am

Give the women a chance Sir: Melissa Kite’s article about the reshuffle seems downright unfair (‘A misogynistic reshuffle’, 19 July). Whatever…

Is Handel’s Messiah anti-Semitic?

19 July 2014 9:00 am

The Hallelujah Chorus crops up in the most unexpected places, says Michael Marissen in his new book about Handel’s Messiah.…

Why it's good to remember that Bach could be a tedious old windbag

7 June 2014 9:00 am

When I was first learning about classical music, 50 years ago, the scene was more streamlined than it is now.…

How Claudio Abbado bridged old and new

1 February 2014 9:00 am

Not long ago the great conductors of classical music were general practitioners. They expected to give satisfactory interpretations of music…

Music & Monarchy, by David Starkey - review

6 July 2013 9:00 am

Music has always been integral to the image and power of monarchy. Our present Royal family should take note, says Jonathan Keate

The love interest: Jake Arditti as Othniel and Fflur Wyn as Achsah

Joshua, Opera North, Don Carlo, Royal Opera House

11 May 2013 9:00 am

Why stage a Handel oratorio, or anyone else’s for that matter? The recent urge to do it, with Bach’s Passions…