Henry iv

Player Kings proves that Shakespeare can be funny

Play-goers, beware. Director Robert Icke is back in town, and that means a turgid four-hour revival of a heavyweight classic with every actor screaming, bawling, weeping, howling and generally overdoing it. But here’s a surprise. Player Kings, Icke’s new version of Henry IV, Parts 1 and 2, is a dazzling piece of entertainment and the only exaggerated performance comes from Sir Ian McKellen who plays Falstaff, quite rightly, as a noisy, swaggering dissembler. Those who imagine ‘Shakespearean comedy’ to be an oxymoron will be pleasantly surprised Small details deliver large dividends. The tavern scenes are set in an east London hipster bar with chipped wooden tables and exposed brickwork. Richard

I’ve lost patience with podcasts and their presenters

‘To be recognised and accepted by a peregrine,’ wrote J.A. Baker in 1967, ‘you must wear the same clothes, travel by the same way, perform actions in the same order. Like all birds, it fears the unpredictable.’ Sitting around in the same old clothes, performing chores in the same order, travelling by no way at all, I’ve found comfort in Baker’s assurance that I may at least prove attractive to birds in my slovenly purdah. Sir David Attenborough read The Peregrine beautifully on Radio 4 just before Christmas, but if you were too busy steaming puddings to listen, you may find this a good time for enjoying the series online.