Laurence Cummings

ENO's Jack the Ripper needs to decide if it wants to be a gore-fest or social history

6 April 2019 9:00 am

Is it possible to write a feminist opera about Jack the Ripper? Composer Iain Bell thinks it is, and his…

Memo to directors: it’s not all about you: Beethoven’s Leonore reviewed

16 July 2016 9:00 am

Leonore is the first version of Beethoven’s Fidelio, and Stephen Medcalf thinks it’s better. ‘What Leonore gives us is more…

A Handel opera that isn't by Handel, and a Mozart opera composed in 1990, reviewed

23 April 2016 9:00 am

Disguises and mistaken identities are a staple of opera, but usually as part of the onstage, not the offstage, action.…

Why we should revel in the empty virtuosity of Handel's pasticcios

28 March 2015 9:00 am

Before the jukebox musical, back when Mamma Mia!, Jersey Boys and Viva Forever! were still dollar-shaped glints in an as-yet-unborn…

Hye-Youn Lee as Violetta in ‘La traviata’

Opera North’s Coronation of Poppea: a premium-rate sex-line of an opera

18 October 2014 9:00 am

Virtue, hide thyself! The Coronation of Poppea opens with a warning and closes with a love duet for a concubine…