Laurent Pelly

Thinking inside the box: Stéphanie d’Oustrac (Béatrice) and the chorus in ‘Béatrice et Bénédict’ at Glyndebourne

Are Glyndebourne taking le piss? Béatrice et Bénédict reviewed

30 July 2016 9:00 am

It takes a particularly wilful wit to alight on Berlioz’s Béatrice et Bénédict as the perfect operatic nod to a…

Animal magic: François Piolino as the Frog in ‘L’enfant et les sortilèges’

Glyndebourne’s Ravel double bill comes close to perfection

15 August 2015 9:00 am

When I saw the first performance of this production of Ravel’s two operas at Glyndebourne three years ago, I thought…

Too worthy? Peter Sellars’s staging of John Adams’s ‘Gospel’

ENO’s Gospel According to the Other Mary: great music weighed down by a worthy staging

29 November 2014 9:00 am

Terrorism; East-West diplomacy; nuclear war: John Adams’s operas have poured music into the faultlines of 21st-century global politics, and the…

Smitten: Jason Bridges (Armand) and Sarah Tynan (Manon) in ‘Boulevard Solitude’

Opera's fallen women

15 March 2014 9:00 am

Opera’s grim fascination with ‘fallen women’ — as Welsh National Opera has called its latest mini-season — lies largely in…