Lily james

In praise of chastity

New York It’s party time in the Bagel, or at least private party time. Yours truly is an extra man nowadays as my wife and I have been separated by pandemic restrictions for six months. Alexandra is in London, quarantining after visiting two little blond things in Austria for my fourth grandchild Theodora’s first birthday. I am doing dinner parties non-stop in the Bagel, as if I were a gaywalker back in the 1970s. Actually, I’ve been seeing a lot of old friends who have thrown dinners for Lita and George Livanos. We have mostly been the same crowd, as New York society types have gone the way of wooden

Honest, faithful and fantastically enjoyable: BBC1’s The Pursuit of Love reviewed

I had been expecting the BBC to make a dreadful hash of The Pursuit of Love, especially when I read that they’d spiced it up with hints of lesbianism and punk rock. But actually, I think what writer/director Emily Mortimer has done here is play a very clever trick — the equivalent of releasing a cloud of aluminium chaff from your fighter aircraft to distract the enemy’s missiles. So while everyone is cooing about how refreshing it is that lesbianism has finally got a look-in (see also: every other drama and comedy series on TV from Killing Eve to Call My Agent), Mortimer can get on with the deeply subversive

Remarkably moving: The Dig reviewed

Just before the outbreak of the second world war a discovery was made in a riverside field at Sutton Hoo in Suffolk. It was an immense buried boat, dating from the 7th century, and it yielded gilded treasure after gilded treasure, thereby wholly changing our understanding of the Dark Ages. ‘They weren’t dark… by Jupiter!’ as one archaeologist puts it here. It is a fascinating story that could have been told as a full-on thriller. But instead the film employs a delicious, graceful restraint, paying as much attention to deeply buried feeling as to what’s buried deeply in the earth. It’s remarkably moving. By Jupiter, I even cried by the

Like a weird episode of Downton – with less sexual chemistry: Rebecca reviewed

Rebecca is a new adaptation of Daphne du Maurier’s gothic, twisted, never-out-of-print tale of sexual jealousy. It’s directed by Ben Wheatley, with a script by Jane Goldman, and stars Lily James, Armie Hammer and Kristin Scott Thomas. High hopes? Me too. But though it’s perfectly watchable, it’s not at all daring. Would the second Mrs de Winter be more fully formed and less of a pallid, round-shouldered meek little thing? Would sinister Mrs Danvers have more substance? Would it be a modern interpretation for modern times? No, is the short answer. And also it just isn’t sexy enough. Meanwhile, I forgot to start this with: ‘Last night I dreamt I