Michael tippett

Thursday

Richard Bratby

Baffling and vile: ETO’s Manon Lescaut reviewed

In 1937, John Barbirolli took six pieces by Henry Purcell and arranged them for an orchestra of strings, horns and woodwinds. Nothing unusual about that: arranging baroque music for modern symphony orchestras was what famous conductors used to do. Beecham and Hamilton Harty re-upholstered Handel. Mahler did something similar with Bach, then directed the result from a grand piano, and wouldn’t you give anything to have heard him? All good clean fun in those innocent days before the advent of historically informed performance. ‘Can you tell me what was happening?’ asked a woman on the way out It’s unusual to hear these things revived now, and curiouser still when the

Thursday

Allan Mallinson

The pacifists of the 1930s deserve greater understanding

As I’ve occasionally come to think is the case with The Spectator, this book is perhaps best begun at the back. Otherwise it might be taken for niche history – applied historical moral philosophy, say, or an aspect of ‘the people’s war’ usually overshadowed by the manifest imperative to defeat the unparalleled evil of Nazism. That evil, concludes Tobias Kelly, professor of political and legal anthropology at Edinburgh, has indeed ‘become the frame through which we seem to assess all evils’; but ‘the spectre of appeasement has also reared its head too often’. As a result, ‘we have been quick to get carried away with the virtue of war when

Thursday

Richard Bratby

Hits you where it hurts: Welsh National Opera’s Madam Butterfly reviewed

‘It’s generally agreed that in contemporary practice, this opera proposes significant ethical and cultural problems,’ says the director Lindy Hume in the programme book for her new production of Madam Butterfly, and if you’ve just shelled out 75 quid in the expectation of attractive scenery and luscious tunes, that’s you told. In truth, it’s rarely advisable to read what a director thinks about their own work, at least until after the show, when it can serve as a bemusing footnote to the evening’s entertainment. Ah, so that’s why they were wearing pink beehive wigs! If a director is any good at their job, it’ll come across on stage without any