Murder

Tony White’s latest novel begins for all the world like a police procedural, following the delightfully named sleuth Rex King as he investigates the grisly murder of man in a Covent Garden theatre. Rex, who has a penchant for fish and chips, laments the tedium of police bureaucracy and frets over a cover-up relating to a death in custody.There is collegial bonhomie, conspiratorial winking and sardonic banter aplenty. The novel then cuts away to an altogether different setting. In an obscure rural enclave in southern France in the mid-1980s, a young Englishman on his gap-year fraternises with a gang of charismatic dissidents in a bohemian commune. They debate postwar French

‘True crime’ is a genre that claims superiority over imagination, speculation and fantasy. It makes a virtue of boredom and detailed accounts of procedure and paperwork, and characteristically narrates two things: the process of investigation and discovery, and the events that set them off. But what happens if those procedures can’t be narrated? What becomes of the genre’s claims of full and complete truth? Owing to legal strictures, Thomas Harding has written a book which, I feel, falls frustratingly short of the book he wanted to write. The murder of an 87-year-old semi-derelict, Allan Chappelow, in Hampstead in 2006 was followed by the trial of a Chinese crook and liar

In 1981, an FBI team visited Donald Trump to discuss his plans for a casino in Atlantic City. Trump admitted to having ‘read in the press’ and ‘heard from acquaintances’ that the Mob ran Atlantic City. At the time, Trump’s acquaintances included his lawyer Roy Cohn, whose other clients included those charming New York businessmen Antony ‘Fat Tony’ Salerno and Paul ‘Big Paul’ Castellano. ‘I’ve known some tough cookies over the years,’ Trump boasted in 2016. ‘I’ve known the people that make the politicians you and I deal with every day look like little babies.’ No one minded too much. Organised crime is a tapeworm in the gut of American

Early one summer’s morning in 1994, Paul Jennings Hill, a defrocked Presbyterian minister, gunned down a doctor, John Britton, as he arrived for work at an abortion clinic in Florida. Unrepentant by the time of his execution nine years later, Hill (who I really don’t recommend Googling) was associated with the Army of God (ditto), which urges the murder — or ‘justifiable homicide’ — of abortion providers in the United States. Given how often Joyce Carol Oates’s awesomely prolific output concerns male violence and women’s bodies, it’s no surprise to find her using this as material; with Trump vowing to undo Roe vs Wade, it’s timely. By turns icily subtle

On 25 February 1980, Roland Barthes, the great French intellectual, was run over by a laundry van in Paris. He died from his injuries a month later. This book — Laurent Binet’s second novel — proposes that it was not an accident; that Barthes had just come from lunch with the Socialist candidate for the forthcoming French presidential elections, François Mitterrand, and that he was in possession of an extremely important document, one which gave detailed instructions on the seventh function of language. Of course, you all know that, as defined by Roman Jakobson, there are only six functions of language (among them the Performative — ‘I now pronounce you

This book, according to its author Gabi Martínez, is ‘a non-fiction novel’. It tells the story of Jordi Magraner, a Morocco-born Spaniard who grew up in France. A largely self-taught zoologist and naturalist, Magraner worked on humanitarian convoys in Afghanistan before devoting his life to searching for the Yeti among the Kalash people in the Hindu Kush. He was, according to Martínez, ‘Proud. Enigmatic. Multifarious. Pagan. Passionate. A beast.’ The book opens with his murder (which remains unsolved). The Yeti, possibly a version of Neanderthal man, are the monsters of the title. In north Pakistan they are known as barmanu. These bipeds never make an appearance. But Magraner kept the

If you go down to the woods today… That is the starting point for Idaho by Emily Ruskovich, who grew up on Hoodoo mountain in the Idaho panhandle. A family — mother Jenny, father Wade, daughters May and June — leave their little house in the big woods and drive a pick-up truck to a clearing where they chop birch wood, squabble and drink lemonade that attracts the flies. You want them to find something wonderful there. A teddy bears’ picnic. A magic faraway tree. A Piglet. But this is Idaho, not our friendly day-tripping woods. Nature is vast and hostile. In winter the house is cut off for months

When George Omona first saw soldiers in the infamous Lord’s Resistance Army, he was amazed. The scary fighters who had terrorised people for decades across a big chunk of Africa turned out to be emaciated teenagers with dirty clothes who could hardly hold the big guns they carried. Some were unarmed children, barely ten years old. He felt sorry for them. ‘They could not have known anything else but living in the forest like wild animals.’ Soon he had joined their pack, a reluctant member of one of the world’s most notorious rebel groups. A bright boy who dreamed of becoming a teacher, George ended up a bodyguard to one

In 2013, Pavel Dmitrichenko, disgruntled principal dancer of the Bolshoi, exacted a now infamous revenge on the company’s artistic director, Sergey Filin, for overlooking his girlfriend in casting the starring role in that most Russian of ballet classics, Swan Lake. The circumstances surrounding the acid attack, which seemed to combine ballet’s glamour with a murky underworld of intrigue, conspiracy, villains and victims, quickly became a contemporary metaphor for the Bolshoi itself. It’s irresistible as a lens through which to consider this intriguing institution at the heart of Russian politics, culture and life. The 2015 film Bolshoi Babylon started from this point, and went on to capture the ensuing year, its