Netflix

Is Netflix losing the battle of the streaming giants?

From time to time, Netflix’s marketing brains like to get a bit cute with the company’s past. ‘Don’t give up on your dreams – we started with DVDs,’ read one recent viral post. But while the streaming giant happily references its most famous transition, it’s much more coy (and probably wisely) when it comes to its latest one. It isn’t hard to see that 2022 Netflix is a very different beast to the one most of us signed up for. If you joined Netflix during its peak – e.g. somewhere in the long window between House of Cards and Tiger King – you would have likely bought into the idea

Everyone involved should be in prison: Netflix’s Persuasion reviewed

You may already have read early reviews of Netflix’s adaptation of Jane Austen’s Persuasion saying it’s ‘the worst adaptation ever’ as well as ‘mortifying’ and ‘a travesty’, but I know you won’t believe it unless you hear it from me, so here you are: it is truly horrible. I would also add that everyone involved should probably be sent to prison. Not for life, but until we could be confident they’d learned the error of their ways and there was minimal risk of reoffending. A probation officer would possibly be required to keep a close eye, just to make sure. Better safe than sorry. There are ways to adapt Austen

Toby Young

Has identity politics had its day?

Have we reached peak woke? In Hollywood, that seems to be the emerging consensus. Thanks to the box office success of Top Gun: Maverick and the disappointing performance of Pixar’s Lightyear, in which Buzz Lightyear’s commanding officer is a black lesbian, the studios think audiences may be tiring of being lectured to. The same is true of the streaming platforms, with the biggest hits of the year being shows that take the mickey out of corporate virtue-signalling (The Boys) or just celebrate old-fashioned American heroism (The Terminal List). In this context, the reaction of Netflix when some of its employees staged a walkout over Dave Chappelle’s un-PC jokes in his

Kim Kardashian is a better role model than Marilyn Monroe

When Kim Kardashian wore Marilyn Monroe’s dress to the Met Gala recently – the shimmering, crystal-studded, second-skin gown in which MM sang her infamous rendition of ‘Happy Birthday, Mr President’ to JFK in 1962 – many people had a collective fit of the vapours. You’d have thought someone had wiped their nose – or worse – on the Stars and Stripes in front of the White House, that some act of sacrilege had been committed. Kardashian (with the good manners characteristic of her – there’s a scene in an early season of Keeping Up with the Kardashians where her monstrous sister Khloe mocks her for being courteous to a nobody

Ricky Gervais is an achingly conventional Millennial posing as a naughty maverick

Just how edgy and dangerous is Ricky Gervais? There is no one more edgy and dangerous, we learn from no less an authority than one R. Gervais. He keeps reminding you of this at intervals in his latest stand-up special, for which he was reputedly paid $20 million (to go with the other $20 million Netflix paid him for its predecessor). Every few sketches, he’ll announce to his live audience that this one was so offensive there’s just no way Netflix is going to broadcast it. But Netflix has done just that – and yet, quite incredibly, neither it nor Gervais has been cancelled. Funny that. What this suggests to

The return of the implausibly moreish Borgen

A decade ago the unthinkable happened: a subtitled TV drama about people agreeing with one another went global. On paper it bore the hallmark of a barrel-scraping pitch from Alan Partridge. Somewhere between youth hostelling with Chris Eubank and monkey tennis, he might easily have proposed a new ne plus ultra in implausible entertainment concepts: Danish coalition politics. Yet Borgen caught a thermal and soared. The show took its name (which, correctly pronounced, sounds like a Cockney saying ‘Bolton’) from the so-called fortress in the heart of Copenhagen where state business is conducted. It featured Birgitte Nyborg, a moderate heroine who snuck into Denmark’s highest office through a small centrist

Will anyone watch a Harry and Meghan Netflix docuseries?

Picture the convivial scene. You have been invited into the Duke and Duchess of Sussex’s palatial £11 million mansion in Montecito, California as an honoured guest. Once you have removed your shoes, been frisked for weapons or recording devices and been offered a kombucha smoothie, you are ushered into the inner sanctum of the world’s most talked-about satellite branch of the royal family. What would you expect to find? A dartboard with Prince Charles’s face on it? Endless piles of obscure genealogical books that explain why Prince Harry is, in fact, the rightful heir to the throne? Or endless expensive, studiedly tasteful rooms that lack any heart and soul whatsoever?

If you’re tired of Netflix’s agendas, turn to BritBox’s new Agatha Christie

Netflix’s share price has collapsed and a major factor, people are saying, is its relentless pushing of agendas. I think I have the solution. Perhaps it should follow the BritBox model and instead of making dramas it feels that audiences ought to like – e.g. the very creepy-sounding He’s Expecting, a Japanese series about a man who gets pregnant – it should instead capitalise on our growing yearning for a lost age of chocolate-box innocence and relative normality. Why Didn’t They Ask Evans? is a good example. Written and directed by Hugh Laurie, it’s the kind of Agatha Christie adaptation they don’t make any more: fairly light on discordant, anachronistic

Martin Vander Weyer

The one thing Netflix could do to keep me subscribing

Anecdotes and statistics should never be confused, but let’s do just that to build a composite picture of today’s UK economy. As the ‘cost of living crisis’ – barely out of its starting blocks – began to eat spending power and erode confidence, high street sales fell 1.4 per cent in March while non-store retail (largely online) dropped 7.9 per cent. Office occupancy, blighted by working from home, is stuck below 30 per cent of capacity. The City of London is a ghost town on Mondays and Fridays, while West End footfall remains a fifth below 2019 levels. But in case you’re planning a resumed commute or an in-town shopping

How a phone call from Boris inspired me to write Anatomy of a Scandal

News of the Anatomy of a Scandal billboards on Sunset Boulevard sits in my DMs while I shepherd my teens through the preschool chaos. It’s the morning I drive my youngest to school. ‘Have you seen my goggles?’ he calls, while I covertly flick to the Insta app on my phone and see that one of the executive producers of the Netflix show based on my thriller has sent me four messages. My heart trips. I may have written an international bestselling novel developed by the Big Little Lies dream team, but imposter syndrome rages; my default response that I’m about to be found out. Only, there they are: photos

How did he even fool the Duke of Edinburgh? Netflix’s Jimmy Savile – A British Horror Story reviewed

The only impersonation I can do is my Jimmy Savile impersonation. This is not uncommon among people of my generation: if you were a child or a teenager in the 1970s and 1980s, Savile was quite possibly the most famous person in your entire world. His show Jim’ll Fix It was the most popular on TV with weekly audiences of 20 million. From Top of the Pops to his endless chat-show appearances promoting his relentless work for charidee, he was excruciatingly ubiquitous. Also, with his long, helmet–shaped, wig-like white hair, his garish tracksuits, bling jewellery and extravagant cigars, his catchphrases (‘Now then, now then’; ‘as it ’appens’) and his distinctive

Netflix vs Apple: which streaming subscription offers best value for money?

Amid rising energy bills, the announcement that Netflix will hike its prices – with its basic package increasing by £1 a month to £6.99 – seemed to pass without too much fuss. But, as the cost of living crisis hits, many households will be looking at which subscriptions to prioritise. But with more of us subscribing to multiple streaming services (thanks, in part, to those spontaneous lockdown purchases) these extra costs have a habit of adding up – until you suddenly find yourself shelling out more than £50 a month on entertainment. All of which begs the obvious question: which streaming service gets you the most bang for your buck? Interestingly

Enthralling and unusual – even if you don’t care about Kanye: Netflix’s Jeen-yuhs: A Kanye Trilogy reviewed

The most disappointing pop performance I’ve ever seen – and in the course of my 15-odd years as a music critic I saw an awful lot – was Kanye West at Glastonbury in 2015. Perhaps he was making some kind of ironic statement on the nature of celebrity and fan expectation: blinding lights all focused on himself; no attempts to engage with the crowd; relentless, mechanical rapping but with most of the amusing samples and catchy hooks removed, the better to punish us all by ordeal with loud, righteous verbiage. But I still admire this irritating genius hugely because besides making often very addictive albums he refuses to play the

Horrifying but gripping: Netflix’s The Puppet Master: Hunting the Ultimate Conman reviewed

It’s 1993 and you’re studying at a top agricultural college with a bright future ahead of you, perhaps in farming or land management, when a chance conversation with a barman all but ruins your life. The barman tells you that he is an agent working for MI5, spying on an IRA cell in college, one of whose members happens to be your flatmate. You might be sceptical but the agent is very persuasive; and besides, someone from your college has indeed just been arrested for supplying bomb-making equipment to the IRA. When the agent warns you that you and your flatmates are in serious danger and must go on the

The unexpected brilliance of Don’t Look Up

I wasn’t looking forward to seeing Don’t Look Up, the new satirical film on Netflix. It’s about a couple of American scientists who discover a giant ‘planet-killing’ comet that’s going to collide with Earth in just over six months. They try to warn the world about this existential threat but no one takes them seriously, from the President of the United States on down. Some people half- listen, but then get distracted by gossip or greed or lust, and when they do engage they come up with excuses, like pointing out the science is only 99.78 per cent certain, not 100 per cent, so why don’t we just ‘sit tight

Most-read 2021: The Netflix generation has lost its grip on history

We’re closing the year by republishing our ten most popular articles in 2021. Here’s number four: Zoe Strimpel writing in February about how popular portrayals of the past are being changed to fit the present.  The first thing you notice about Bridgerton, Netflix’s big winter blockbuster set in Regency England, is how bad it is: an expensive assemblage of clichés that smacks of the American’s-eye view of Britain’s aristocratic past. The dialogue is execrable, the ladies’ pouts infuriating. But bad things can be good, especially when it comes to sexy period romps. Bridgerton is no different. The story follows the elder children of the Bridgerton family as they look for love

If you watch one thing this Christmas, make it The Witcher

If you only watch one thing on TV this Christmas, make it The Witcher (Netflix). It’s by turns funny, exciting, scary, moving, dark, exhilarating; the special effects and battle sequences and fantastical walled cities are convincing; the casting and acting are pleasing; the storylines are a perfect balance between the intimate and the epic. I’m completely hooked. But what makes it so vastly superior to, say, the other big sword and sorcery series currently on TV, Amazon’s The Wheel of Time ? What it boils down to, I think, is congruence. The Witcher (being based mainly on a popular video game) knows what its preposterousnesses are and inhabits them like

Jimmy Carr’s anti-vaxxer joke isn’t funny

Jimmy Carr was once the smug face of shock comedy. As a stand-up comedian, and a host of various comedy shows, he used to joke with his trademark poker face about looks, disabilities and sexual violence. The Welsh, the Scots and obese women and children were also targets. When controversy inevitably came, Carr stood his ground. He caused uproar in 2009 by joking: ‘Say what you like about those servicemen amputees from Iraq and Afghanistan, but we’re going to have a f**king good Paralympic team in 2012.’ Carr said sorry for that gag, but he insisted: ‘My intention was only to make people laugh.’ Does Carr still hold true to that view? His new special

Eddie Izzard is so bad I’m hoping he gets dismembered: Sky’s The Lost Symbol reviewed

If it weren’t for this job I sometimes wonder whether I’d even bother watching TV at all. This mood strikes me particularly in those weeks when I find myself casting round for anything new and vaguely interesting to watch and I end up in front of something as epically dire as Sky’s new Dan Brown adaptation The Lost Symbol. Brown’s hero Robert Langdon, whom we first met on screen in the The Da Vinci Code, is like Indiana Jones with a charisma bypass. Remember that wonderful scene in the first Indie movie where hunky Harrison Ford is giving a lecture to some besotted female archeology students, and one girl closes

Profound and original and unashamedly religious: Midnight Mass reviewed

I was turned on to Midnight Mass by Ricky Gervais who raved about it in one of his social media chats: ‘I absolutely loved it, and it got better and better. It’s like all the themes like love and death, regret, second chances, but it’s about good and evil in a biblical sense.’ Yes. Midnight Mass is very unusual in that (so far, at least; I’m only two and a bit episodes in) it seems to take Christianity at its own estimation. God is real, miracles do happen, even (or especially) the most miserable sinners can find redemption through repentance. Watching it is quite unsettling because you keep expecting the