Otto Dix

‘The Acrobat Schulz V’ (1921), by Albert Birkle

Caricature, satire and over-the-top horror: Magic Realism at Tate Modern reviewed

25 August 2018 9:00 am

‘It is disastrous to name ourselves!’ So Willem de Kooning responded when some of his New York painter buddies elected…

‘Prostitute and Disabled War Veteran. Two Victims of Capitalism’, 1923, by Otto Dix

Sorrow and pity are no guarantee of artistic success: Aftermath at Tate Britain reviewed

23 June 2018 9:00 am

Some disasters could not occur in this age of instant communication. The first world war is a case in point:…

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‘I’m cutting out the middle man.’
‘I’m cutting out the middle man.’
‘What have I told you about personal business on company time?’
‘What have I told you about personal business on company time?’
‘I love silencing your lectures!’
‘I love silencing your lectures!’
‘I worry the British watch everything we do.’
‘I worry the British watch everything we do.’
‘Leave the Tower, get help…’
‘Fickle, selfish and cruel — but that’s politicians for you.’
‘Fickle, selfish and cruel — but that’s politicians for you.’
‘She’s trying to leave her book group.’
‘She’s trying to leave her book group.’
‘We got the architect to make sure our extension was designed to be sympathetic.’
‘We got the architect to make sure our extension was designed to be sympathetic.’
‘There’s so much anger on the doorstep.’
‘There’s so much anger on the doorstep.’
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