Painting

Cover illustration for the magazine Garm 1944, by Tove Jansson

A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed

18 November 2017 9:00 am

Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…

‘Self-Portrait’, 1880–1, by Paul Cézanne

The most impressive array of work to be seen in London in years: Cézanne’s Portraits reviewed

11 November 2017 9:00 am

The critic and painter Adrian Stokes once remarked on how fortunate Cézanne had been to be bald, ‘considering the wonderful…

The advantages of turning down the colour knob: Monochrome reviewed

4 November 2017 9:00 am

Leonardo da Vinci thought sculpting a messy business. The sculptor, he pointed out, has to bang away with a hammer,…

Tracey Emin finds a kindred spirit in Turner

28 October 2017 9:00 am

In the 1880s the young Max Klinger made a series of etchings detailing the surreal adventures of a woman’s glove…

‘Houses of Parliament, Sunlight Effect’, 1903, by Claude Monet

How war – and fog – saw London become a haven for the impressionists

28 October 2017 9:00 am

Madame Monet was bored. Wouldn’t you have been? Exiled to London in the bad, cold winter of 1870–71. In rented…

‘Pastry Cook of Cagnes’, 1922, by Chaïm Soutine

The painter who devoted himself to turning kitchen-weary men into kings and popes

14 October 2017 9:00 am

Chaïm Soutine turned kitchen-weary men into monarchs and popes, says Laura Freeman

‘Self Portrait’, 1984, by Jean-Michel Basquiat

Where did it go wrong for Basquiat?

14 October 2017 9:00 am

‘Art by its very essence is of the new… There is only one healthy diet for artistic creation: permanent revolution.’…

Master of the zoom lens: Degas at the National reviewed

30 September 2017 9:00 am

Where was Degas standing as he sketched his ‘Laundresses’ (c.1882–4)? Did he watch the two women from behind sheets hanging…

‘The Angel of Mercy’, c.1746, by Joseph Highmore

The painting that revealed the shocking truth of being a woman in Georgian society

23 September 2017 9:00 am

At the heart of Basic Instincts, the new exhibition at the Foundling Museum in London, is an extraordinarily powerful painting…

‘The Japanese’ by Hans Makart, 1870–75

How do artists vanish?

23 September 2017 9:00 am

Here’s an intriguing thought experiment: could Damien Hirst disappear? By that I mean not the 52-year-old artist himself — that…

Moving pictures: ‘Achaean’, 1981, by Bridget Riley

Snap, crackle and op: no one can beat Bridget Riley

2 September 2017 9:00 am

Stand in front of ‘Fall’, a painting by Bridget Riley from 1963, and the world begins to quiver and dissolve.…

‘Mum On The Couch’, 2017, by Gary Hume

‘The abstract paintings all went in the bin’: Gary Hume interviewed

26 August 2017 9:00 am

There is more to the artist Gary Hume than glossy surfaces, as Martin Gayford finds out when he meets him

‘Spray’, by Harold Williamson (1939)

The marvels of British interwar realism

19 August 2017 9:00 am

One day, somebody will stage an exhibition of artists taught at the Slade by the formidable Henry Tonks, who considered…

Matisse’s ‘Still Life with Shell’ (1940) with his beloved chocolate pot, top left

The importance of odds and ends in the work of Matisse

5 August 2017 9:00 am

Why did Henri Matisse not play chess? It’s a question, perhaps, that few have ever pondered. Yet the great artist…

A picture of pure energy: Watts’s ‘The Sower of Systems’, 1902

The Victorian artist who was more Jackson Pollock than Pre-Raphaelite

29 July 2017 9:00 am

On his deathbed in 1904, George Frederic Watts saw a extraordinary spectacle. He witnessed the universe coming into being: the…

Andrew Marr: Why are people friendly in real life, yet so hateful on Twitter?

15 July 2017 9:00 am

It has been an unqualified delight, even if it is mildly absurd: I have been chairing the judges for this…

‘Landscape Near Kingston, Jamaica’, 1950, by John Minton

John Minton: well-known but not great enough; John Virtue: great but not well-known enough

15 July 2017 9:00 am

Wherever one looked in the arts scene of the 1940s and ’50s, one was likely to encounter the tragicomic figure…

‘Tennis’, 1930, by Eric Ravilious

How artists from Ravilious to Rauschenberg fell for tennis

8 July 2017 9:00 am

Tennis is best played with a wooden racket on a shady lawn somewhere close to Dorking. There is no need…

‘Statue (Double Check by Seward Johnson), New York, 11 September 2001’, 2001, by Jeff Mermelstein

From Mussolini’s car to the Twin Towers: a history of dust

8 July 2017 9:00 am

Aren’t you getting a little sick of the white cube? I am. I realised how sick last week after blundering…

Who next for a blast? Wyndham Lewis in 1917, photographed by George Charles Beresford

Flappers, futurists, Bloomsbury and Putney – Wyndham Lewis's many enemies

1 July 2017 9:00 am

A superb retrospective at IWM North makes no apology for Wyndham Lewis: painter, poet, publisher and picker of fights. Laura Freeman reports

‘Untitled (Poor Richard)’, 1971, by Philip Guston

A pilloried president, PC portraits and paintings good enough to eat

1 July 2017 9:00 am

Politics and art can make for an awkward mix. Much more than with religious subjects it seems to matter whether…

Sky Atlantic’s Riviera is fine if all you want is the TV equivalent of a computer screensaver

24 June 2017 9:00 am

‘Riviera is the new Night Manager,’ I read somewhere. No, it’s not. Riviera (Sky Atlantic, Thursday) is the new Eldorado…

‘Study for Charity’, c.1519, by Raphael

Lucian Freud was wrong to think Raphael dull – he was a genius

17 June 2017 9:00 am

Late one afternoon, early in the year, I was walking through the Vatican Stanze with a small group of critics…

‘Venice: The Bacino di S. Marco on Ascension Day’, c.1733–34, by Canaletto

There are hints in this show at Buckingham Palace of another, more imaginative Canaletto

3 June 2017 9:00 am

One evening a few weeks ago I was on my way to the opening of an exhibition at the Venice…

‘Choshi in Soshu province’, woodblock print from A Thousand Pictures of the Sea, c.1833, by Hokusai

How Hokusai achieved immortality

27 May 2017 9:00 am

Hokusai wanted to paint everything, says Laura Freeman, and at 70 he was only just beginning