Painting

A kind of blue: Yves Klein’s ‘Jonathan Swift’ (c.1960) amid the Van Dycks and Joshua Reynolds

A visionary and playful heir to Duchamp: Yves Klein at Blenheim Palace

11 August 2018 9:00 am

Nothing was so interesting to Yves Klein as the void. In 1960 he leapt into it for a photograph —…

How to survive a French heatwave

11 August 2018 9:00 am

Me in a black polo-neck jumper looking sour; Oscar wearing a floppy hat; her youngest daughter nude and stooping to…

Landscape (North Friesland), 1920

Nolde was giddily optimistic about the Nazis – they rewarded him by confiscating his works

28 July 2018 9:00 am

The complexities of Schleswig-Holstein run deep. Here’s Emil Nolde, an artist born south of the German-Danish border and steeped in…

Queen Victoria’s ‘State Barge’, 1866–7, by James Henry Pullen

The ‘idiot’ artists whose surreal visions flourished in Victorian asylums

7 July 2018 9:00 am

Laura Gascoigne on the ‘idiot’ artists whose surreal visions flourished in Victorian asylums

An artist of the floating world: Christo’s ‘Mastaba’ on the Serpentine Lake

Appealingly meaningless and improbable: Christo at the Serpentine Lake reviewed

7 July 2018 9:00 am

It’s not a wrap. This is the first thing to note about the huge trapezoid thing that has appeared, apparently…

‘Self-portrait on the border between Mexico and the United States of America’, 1932, Frida Kahlo

How good a painter was Frida Kahlo?

30 June 2018 9:00 am

In 2004 Mexican art historians made a sensational discovery in Frida Kahlo’s bathroom. Inside this space, sealed since the 1950s,…

‘Prostitute and Disabled War Veteran. Two Victims of Capitalism’, 1923, by Otto Dix

Sorrow and pity are no guarantee of artistic success: Aftermath at Tate Britain reviewed

23 June 2018 9:00 am

Some disasters could not occur in this age of instant communication. The first world war is a case in point:…

Edward Bawden is deservedly one of Britain’s most popular 20th century artists

9 June 2018 9:00 am

‘When I’m on good form,’ Edward Bawden told me, ‘I get to some point in the design and I laugh…

Astonishing splashes of colour: ‘Square Green with Orange, Violet and Lemon’, 1969, by Patrick Heron

Patrick Heron’s paintings are exhilarating – his colours dance, pulse & boff you on the nose

2 June 2018 9:00 am

Patrick Heron’s paintings of the 1950s melt like ice creams. You want to run your tongue along the canvas and…

Panel from the bedroom of Louis Henri I, Prince de Condé, by Christophe Huet

The greatest French museum you've never heard of

19 May 2018 9:00 am

Imagine a French museum that’s second only to the Louvre when it comes to paintings, with an eye-watering collection of…

‘Little Girl in a Blue Armchair’, 1878, by Mary Cassatt

No one can beat Mary Cassatt at painting mothers and children

5 May 2018 9:00 am

A lady licking an envelope. An intimate thing. It might be only the bill from the coal-man she’s paying, but…

‘The Orange Chair’, 1944, by Cedric Morris

The artist more fond of flowers and vegetables than people – and who can blame him

28 April 2018 9:00 am

I have occasionally mused that there is plenty of scope for a Tate East Anglia — a pendant on the…

The Church at Vétheuil, 1878

The public are quite right to love Monet

14 April 2018 9:00 am

Think of the work of Claude Monet and water lilies come to mind, so do reflections in rippling rivers, and…

Shouldering a hoe, Christ appears to Mary Magdalene in Fra Angelico’s ‘Noli Me Tangere’ (c.1438–50)

The loveliest episode of Holy Week – Christ rises from the potting shed

31 March 2018 9:00 am

Only the subtlest artists choose to paint the Noli Me Tangere scene, a still, small episode of calm after the horrors of the Passion, says Laura Freeman

‘The Appearance’, 2018, by Eric Fischl

Surreal jokes and juicy strokes: Martin Gayford on the power of paint

17 March 2018 9:00 am

René Magritte was fond of jokes. There are several in René Magritte (Or: The Rule of Metaphor), a small but…

Cherchez la femme: ‘Reclining Nude (Femme nue couchée)’, 1932, by Pablo Picasso

Peak Picasso: how the half-man half-monster reached his creative – and carnal – zenith

10 March 2018 9:00 am

James Woodall on Picasso at his creative – and carnal – zenith

‘Melanie and Me Swimming’, 1978–9, by Michael Andrews

Magnificent paintings – oddly curated: All Too Human reviewed

10 March 2018 9:00 am

In the mid-1940s, Frank Auerbach remarked, the arbiters of taste had decided what was going to happen in British art:…

Every picture tells a story: ‘Maximilian Schell as Redl’, 1968, by Leonard Rosoman

The strangely unique vision of Leonard Rosoman

3 March 2018 9:00 am

Leonard Rosoman is not a well-known artist these days. Many of us will, however, be subliminally familiar with his mural…

Worth a trip for the David Joneses alone: Journeys with ‘The Waste Land’ reviewed

24 February 2018 9:00 am

To bleak, boarded-up Margate — and a salt-and-vinegar wind that leaves my face looking like Andy Warhol’s botched 1958 nose-peel…

‘Anne Cresacre’, c.1527, by Hans Holbein the Younger

A sumptuous feast of an exhibition: Charles I at the Royal Academy reviewed

27 January 2018 9:00 am

Martin Gayford is overwhelmed by the sheer concentration of visual splendour amassed by Charles I

Ronnie Wood’s ‘Wild Horses’ (2005), acrylic on canvas

For Ronnie Wood, every picture tells a story

16 December 2017 9:00 am

Ronnie Wood’s life-long obsession

There’s something about Mary: ‘Madonna of the Rosary’, 1539, by Lorenzo Lotto

The time has come for one of the most fascinating and idiosyncratic Renaissance artists

16 December 2017 9:00 am

Lorenzo Lotto was overlooked by 16th-century Venice, but now, says Martin Gayford, his time has come

The pure joy of a boring car

2 December 2017 9:00 am

My pal Charlie inherited a car and a ride-on mower from an old pal. He kept the mower and the…

Cover illustration for the magazine Garm 1944, by Tove Jansson

A chance to see the Moomins’ creator for the genius she really was: Tove Janssons reviewed

18 November 2017 9:00 am

Tove Jansson, according to her niece’s husband, was a squirt in size and could rarely be persuaded to eat, preferring…

‘Self-Portrait’, 1880–1, by Paul Cézanne

The most impressive array of work to be seen in London in years: Cézanne’s Portraits reviewed

11 November 2017 9:00 am

The critic and painter Adrian Stokes once remarked on how fortunate Cézanne had been to be bald, ‘considering the wonderful…