paintings

‘The Battle of the Pyramids’, 1798–9, by François-Louis-Joseph Watteau

The best and most extensive exhibition on Napoleon in three decades

16 June 2018 9:00 am

The Musée de l’Armée at Les Invalides in Paris has a new exhibition that I believe to be the best…

‘Office at the Mühling prisoner-of-war camp’, 1916, by Egon Schiele

Animals, tourists and raptors: the hazards of being a plein-air artist

12 May 2018 9:00 am

A conservator at Kansas City’s Nelson-Atkins Museum was recently astonished to find a tiny grasshopper stuck in the paint of…

Do the bump: ‘The Visitation’, 1528–30, by Jacopo da Pontormo

A history of bump iconography

3 June 2017 9:00 am

Laura Freeman celebrates one of the loveliest of all New Testament images

‘Boy falling from a window’, 1592, Italy, Naples (possibly)

The key to the Italian Renaissance lies in the home

11 March 2017 9:00 am

There have been many explanations for what happened in the Italian Renaissance. Some stress the revival of classical antiquity, others…

‘Allegro Moderato Fireman’s Parade’ (from the Calcium of Light portfolio), 1974–76, by Eduardo Paolozzi

Paolozzi was not a slim man but you have to run to keep up with him

25 February 2017 9:00 am

Rudolfo Paolozzi was a great maker. In the summer, he worked almost without stopping in the family’s ice-cream shop, making…

‘Bed’, 1955, by Robert Rauschenberg

The first half is essential – the second much less so: Tate's Robert Rauschenberg reviewed

3 December 2016 9:00 am

Robert Rauschenberg, like Autolycus in The Winter’s Tale, was a ‘snapper-up of unconsidered trifles’. Unlike Shakespeare’s character, however, he made…

Ravilious in Essex: ‘Two Women in the Garden’, watercolour, 1932

The only art is Essex

29 August 2015 9:00 am

When I went to visit Edward Bawden he vigorously denied that there were any modern painters in Essex. That may…

Ryan Reynolds and Helen Mirren in ‘Woman in Gold’

Woman in Gold review: even Helen Mirren is weighed down by the script’s banalities

11 April 2015 9:00 am

Woman in Gold feels rather like a Jewish version of Philomena as this too is about an older woman seeking…

Left: The Apostle Simon, 1661. Right: Portrait of a Lady with an Ostrich-Feather Fan, 1658–60

Rembrandt at the National Gallery: the greatest show on earth

25 October 2014 9:00 am

Martin Gayford sees Rembrandt’s late works at the National Gallery – is this the greatest show on earth?

‘Water-meadows near Salisbury’, 1829/30, by John Constable

Curator-driven ambitions mar this Constable show at the V&A

4 October 2014 9:00 am

The V&A has an unparalleled collection of hundreds of works by John Constable (1776–1837), but hardly anyone seems to know…