Park90

Faultless visuals – shame about the play: the National’s Coriolanus reviewed

Weird play, Coriolanus. It’s like a playground fight that spills out into the street and has to be resolved by someone’s mum. The hero is a Roman general whose enemies conspire to banish him so he takes revenge by joining forces with a foreign power and laying siege to Rome. Coriolanus’s mother shows up on the battlefield and begs him to drop his vendetta and come back home. Later he dies but without delivering a big speech. The Roman soldiers have plastic swords that go ‘clack’ rather than metal ones that go ‘ching’ The key difficulty is that Coriolanus’s tragic flaw, a lack of ambition, is really a virtue. He’s

Dazzling: Stoppard’s The Real Thing, at the Old Vic, reviewed

The Real Thing at the Old Vic is a puzzling beast. And well worth seeing. Director Max Webster sets the action in a vast sitting room painted electric blue with a white sofa in the centre. A lovely use of empty space. But the preview trailer on the theatre’s website shows the actors seated in a scruffy bomb site where they discuss similarities between Tom Stoppard’s 1982 play and the lyrics of Taylor Swift. Perhaps the Old Vic hopes to attract a younger audience, but this show will appeal most to Stoppard’s lifelong fans. The play marks a major shift in his development. The exuberant and frothy cleverness of his

Riveting and exhilarating: Miss Julie, at Park90, reviewed

Some Demon by Laura Waldren is a gem of a play that examines the techniques of manipulation and bullying practised by shrinks on anorexics. The setting is an NHS referral unit where Sam, an 18-year-old philosophy student, arrives with a minor eating disorder. Like every patient, Sam is told that her personality is immersed in a civil war and that two implacable forces – the ‘diseased self’ and the ‘whole self’ – are fighting for control of her destiny. It’s a brilliantly simple trick that any bully can learn in a few minutes. If the patient says something unwelcome, the shrink ascribes the statement to the ‘diseased self’ and adds:

A must-see for Westminster obsessives: Riverside Studios’ Bloody Difficult Women reviewed

Bloody Difficult Women is a documentary drama by the popular journalist Tim Walker, which looks at the similarities between Gina Miller and Theresa May. It’s well known that Walker detests our current prime minister and he refuses even to allow the Johnson name to sully his script. So although Boris was a key player in the story, he doesn’t appear on stage. Nor does May’s husband, Philip. And her influential advisers, Nick Timothy and Fiona Hill, are omitted too. Their names are mentioned constantly but we never meet them as characters. Slightly frustrating. May herself comes across as weak, secretive and limited. Plainly she was never suited to high office.