Pearl harbor

Dark days in Hollywood: Mercury Pictures Presents, by Anthony Marra, reviewed

Summer is a time for blockbusters and Anthony Marra has delivered the goods with Mercury Pictures Presents, a sweeping book about 1940s Hollywood, Mussolini’s Italy and America’s entry into the second world war. The action opens in the executive offices of Mercury Pictures International, a struggling film studio run by Artie and Ned Feldman, two brothers modelled on Jack and Harry Warner. It’s late summer 1941, and as well as fighting each other, the Feldmans are fighting the isolationist senators accusing Hollywood of pushing America into war. The battle to get the script for Devil’s Bargain approved is ‘shaping into a pivotal confrontation between campaigners for free speech and crusaders

Churchill as villain – but is this a character assassination too far?

The veteran journalist Geoffrey Wheatcroft claims in his prologue to Churchill’s Shadow that: ‘This is not a hostile account, or not by intention, nor consciously “revisionist”, or contrarian,’ before launching into a long book that is virtually uninterrupted in its hostility to Winston Churchill, his memory and especially anyone who has had the temerity to admire Churchill or learn lessons from his life and career. Churchill revisionism is hardly new. The very first book I reviewed was Clive Ponting’s revisionist biography of 1994, since when there have been scholarly books by John Charmley, a predictably vicious one by David Irving (whose hero’s career was somewhat curtailed by Churchill) and a

Demystifying the world of espionage

John le Carré once wrote sadly that he felt ‘shifty’ about his contribution to the glamorisation of the spying business. David Omand doesn’t deal in glamour. He was at the top of the Ministry of Defence and the Home Office, director of the code-braking Government Communications Headquarters, chairman of the Joint Intelligence Committee, and responsible for structuring the government’s current anti-terrorist organisation. He thinks and writes deeply about the intellectual and moral problems thrown up by a business that depends on stealing other people’s secrets. He knows what he is talking about. How Spies Think is engagingly readable, even though the arguments are complex. It aims, ambitiously, ‘to empower ordinary