Peter Sellars

Paying homage to the seated diva: a still from the 2016 documentary about La Chana

Louise Levene meets the tormented queen of flamenco, who bewitched Dali & Peter Sellers

3 March 2018 9:00 am

Louise Levene meets the great Gypsy dancer La Chana, who bewitched Dali and Peter Sellers

A memorable evening, though not one I’d want to repeat: Le grand macabre reviewed

21 January 2017 9:00 am

The Barbican website warns us that Ligeti’s opera Le grand macabre ‘contains very strong language and adult themes’. The strong…

Powerful and upsetting: Pelléas et Mélisande at the Barbican reviewed

16 January 2016 9:00 am

There are some operas, as there are some people, that it is impossible to establish a settled relationship with, and…

ENO's Indian Queen reviewed: Peter Sellars's bold new production needs editing

7 March 2015 9:00 am

When is an opera not an opera? How much can you strip and peel away, or extend and graft on…

Too worthy? Peter Sellars’s staging of John Adams’s ‘Gospel’

ENO’s Gospel According to the Other Mary: great music weighed down by a worthy staging

29 November 2014 9:00 am

Terrorism; East-West diplomacy; nuclear war: John Adams’s operas have poured music into the faultlines of 21st-century global politics, and the…

The erotic Mary, left, by Gregor Erhart (c.1515–20) and the penitent Mary, right, by El Greco (c.1577)

No one in the Bible has been as elaborately misrepresented as Mary Magdalene

22 November 2014 9:00 am

A bogus history book and a new oratorio turn Mary Magdalene into the wife of Jesus and a human rights activist. Damian Thompson feels sorry for the poor woman