Shostakovich

Fresh and wild: Chrystal E. Williams as Lady Macbeth and Brenden Gunnell as Seryozha in Graham Vick’s Lady Macbeth of Mtsensk

Raw, frightening, overwhelming: Birmingham Opera’s Lady Macbeth of Mtsensk reviewed

23 March 2019 9:00 am

You can see Graham Vick’s work at La Scala or the New York Met. But if you want to be…

Gidon Kremer and the Kremerata Baltica performing performing Mieczyslaw Weinberg's Concertino for Violin and Strings in 2014. Photo: Hiroyuki Ito/ Getty Images

As a symphonist, Mieczyslaw Weinberg was a master: Weinberg Weekend reviewed

1 December 2018 9:00 am

It’s a strange compliment to pay a composer — that the most profound impression their music makes is of an…

An unmitigated triumph: Salome at Opera North reviewed

28 April 2018 9:00 am

Salome is my favourite opera by Richard Strauss, the only one where there is no danger, at any point, of…

A delicious operatic ragout of horror: Lady Macbeth of Mtsensk reviewed

21 April 2018 9:00 am

There is famously no door into the late-night diner of Edward Hopper’s ‘Nighthawks’. Its three silent patrons are trapped behind…

Nose job: Shostakovich’s ‘The Nose’ at the Royal Opera House

A terrifically good nose job: Royal Opera's The Nose reviewed

29 October 2016 9:00 am

The Royal Opera’s latest production is Shostakovich’s The Nose and to paraphrase Mark Steyn, whatever else can be said about…

In her final column, Ismene Brown salutes the Bolshoi’s real stars: the corps de ballet

20 August 2016 9:00 am

The second half of the Bolshoi tour brought much fresher fare than the first: following the ubiquitous warhorses Don Quixote…

The tortured genius of Shostakovich

23 January 2016 9:00 am

When I look at the black-and-white photograph of Julian Barnes on the flap of his latest book, the voice of…

'A glittering concentrate of fury in her dark eyes': Patricia Racette as Katerina Ismailova in 'Lady Macbeth of Mtsensk'

Thank god for bored wives: Lady Macbeth of Mtsensk at the ENO reviewed

3 October 2015 9:00 am

‘Kiss me, Sergei! Kiss me hard! Kiss me until the icons fall and split!’ sings Katerina Ismailova, adulterous antiheroine of…

Plisetskaya in ‘Romeo and Juliet’, 1964. She was one of the supreme trophies in the Soviet display case, the most garlanded, the most suspected

Maya Plisetskaya and Rodion Shchedrin: ‘The KGB put a microphone in our marriage bed'

25 October 2014 9:00 am

Ismene Brown talks to the Russian super-couple Maya Plisetskaya and Rodion Shchedrin about ballet, opera and the KGB

Shostakovich, Leningrad, and the greatest story ever played

11 January 2014 9:00 am

The horrors of the Leningrad siege — the 900 Days of Harrison Salisbury’s classic — have been pretty well picked…