The french revolution

According to Nina Power’s forceful and rather unusual What Do Men Want?, we in the West are currently engaged in a ‘battle over sex’. And while that has been going on, ‘another war is being waged. This one is against men, the whole damn lot of them!’ To back up this ‘war on men’ idea, Power cites, among other examples, I Hate Men, a book by the French writer Pauline Harmange in which she damns men as ‘violent, selfish, lazy and cowardly… men beat, rape and murder us’. Power’s argument is that the all-out assault on men has gone too far. The mistake, she says, is in ‘treating people as

Colin Jones’s hour-by-hour reconstruction of the fall of Maximilien Robespierre, the French revolutionary most associated with the Terror, is inspired by Louis-Sébastien Mercier, who believed that only by getting ‘up close’ to the ‘infinitely small’ details would it be possible to understand the truth about a Revolution that was stranger than fiction. Mercier (1740-1815) was an early science fiction novelist, a journalist, politician and Parisian. He was not an eyewitness to the fall of Robespierre because he was in prison in 1794, one of 73 moderate members of the governing Convention who had been arrested and held as ‘Robespierre’s hostages’. The Convention was a representative body of 749 deputies, charged

Antiquaries have had a bad press. If mentioned at all today, they are often derided as reclusive pedants poring over details of manuscripts and shards with little relevance to the wider world. As recently as 1990, the respected ancient historian Arnaldo Momigliano skewered their pretensions when he described them as ‘interested in historical facts without being interested in history’. Rosemary Hill, the biographer of Augustus Pugin, the architect of Gothic revivalism, which owed much to antiquarianism, has other ideas. In this engaging survey, she shows how antiquaries’ interest in fields such as coins and heraldry actually enhanced the study of history, notably around the time of the French Revolution, when

What did Mary Wollstonecraft like and love? This is the question Sylvana Tomaselli, a lecturer at Cambridge University, asks herself at the start of her new book about the writer and philosopher who is often described as ‘the mother of feminism’. After the unveiling of Maggi Hambling’s controversial statue in honour of Wollstonecraft on Newington Green last November, and the vitriolic spats between its detractors and supporters that ensued, a book that refocuses attention on the person at the centre of the storm is a welcome relief. Wollstonecraft, born in 1759, was determined to live independently by her pen. Joseph Johnson, ‘the father of the book trade’, recognised her talent,

In the concluding chapter of this book the Daily Telegraph’s restaurant critic and recovering vegan-baiter William Sitwell muses on the collapse of Jamie Oliver’s empire last year: ‘His endeavour, passion and hard work wasn’t enough… it was part of a bursting bubble.’ Since then more mid-range chains have announced their imminent demise. Teetering before lockdown, it’s not just the prospect of months of closure and general uncertainty that’s pushing them over the brink but decades of oversupply and a reliance on a cynical model of successful restaurants selling on and out. This book feels timely: a reminder of what we currently can’t have, and how the sector came to be.