Jaspistos

Inst

In Competition No. 2405 you were invited to write a poem in praise or dispraise of the month of August. ‘The English winter — ending in July,/ To recommence in August,’ grumbled Byron when he was particularly fed up with the island. On the other hand Day Lewis wrote a delightful poem, ‘A Windy Day

Gods or dogs

In Competition No. 2404 you were invited to supply a poem beginning, ‘I do not know much about gods; but …’, substituting, if you prefer, ‘dogs’ for ‘gods’. As I know almost nothing about either, I judged this with a benevolently neutral eye. I suspect that several of you who disclaimed much knowledge of dogs

Bathos, not pathos

In Competition No. 2403 you were invited to supply a poem lamenting the fate of a famous person in which bathos is the keynote. Bathos, or unintentionally falling flat, implies a hoped-for height to fall from. A poet like McGonagall whose verse is consistently bad is pathetic rather than bathetic, whereas Wordsworth could drop hundreds

Show me your leader

In Competition No. 2402 you were invited to supply an imaginary example of the traditionally facetious, learned and topical last editorial article in a quality newspaper. ‘Aesop could have written this morality fable. And the millionaires who are not going to win the lottery tonight can comfort themselves with Schadenfreude, and the parable that life

Split personality

In Competition No. 2401 you were invited to provide a dialogue in verse or prose between two parts of yourself at odds with each other. Hands up anyone who has never talked to themselves…. Not a hand? I thought so. And yet it’s odd that when one does it, it isn’t a dialogue. ‘For God’s

Herculean task

In Competition No. 2400 you were invited to write a sonnet picturing one of Hercules’ labours. I used the word ‘picturing’ with a purpose: I wanted you to be visual. I was thinking of the sonnets in Les Trophées (two describe vividly the Nemean and Stymphalian missions), written by José-Maria de Heredia, that gifted, Cuban-born

De haut en bas

In Competition No. 2399 you were asked for a reply in blank verse by the maid addressed in Tennyson’s poem, ‘“Come down, O maid from yonder mountain height:/What pleasure lives in height?” the shepherd sang…’ You can only catch a glimpse of me this week, since my head is going to disappear behind the curtain

XI plus extra man

In Competition No. 2398 you were invited to write an entertaining piece of prose incorporating a dozen given cricketing terms, but using them in a non-cricketing sense. One competitor added a postscript: ‘I have not used the term “Chinaman” to refer to a native of that country as, according to Collins, that usage is now

Mal voyage

In Competition No. 2397 you were invited to supply an acrostic poem, the first letter of each line to spell out TRAVEL TROUBLES. I had my share of these recently. The Saturday flight to Milan was cancelled. Our tickets were adjusted (incorrectly, it turned out) for Sunday. On Sunday the flight is cancelled again, but

Clever-boots

In Competition No. 2396 you were invited to supply a description of a sporting event by an intellectually pretentious journo. ‘Khan the high priest fast uniting greatness and wealth in holy boxing matrimony’ — Owen Slot in the Times. But Gerard Benson has capped my example with a magnificent piece of tosh by Robbie Hudson

Cantrip

In Competition No. 2395 you were invited to write a rhymed witch’s spell to bring someone or something either good or ill. William Dalrymple in his excellent book From the Holy Mountain lists some quaint old Nestorian spells: ‘the anathema of the Angel Gabriel against the Evil Eye’, ‘a charm for binding the guns and

House rules

In Competition No. 2394 you were invited to supply a rhymed poem offering four parental vetoes on children’s behaviour, followed by four juvenile vetoes on parental behaviour. Exhausted and sleepless, back two days late due to botched air travel, I shall cut the cackle. The prizewinners, printed below, get £20 each, except W.J. Webster, who

Maths lesson

In Competition No. 2393 you were given the first 101 numerals representing the value of π and asked to supply a piece of prose in which each word has the number of letters corresponding to the figures, zero to be represented by a ten-letter word. My thanks to Martin Kochanski for this idea. The consensus

Beauty treatment

In Competition No. 2392 you were invited to supply a poem in praise of something generally considered ugly. Chesterton beatified the donkey ‘with monstrous head and sickening cry, And ears like errant wings’ who carried Christ to Jerusalem, and Stephen Spender rhapsodised (as one of you did) about pylons, ‘bare like nude, giant girls that

Telly horrors

In Competition No. 2391 you were invited to offer six unappealing programmes, together with a TV critic’s unpersuasive recommendation. This week I feel, like Macbeth, that ‘I have supped full of horrors’. Ohne mich! as they say in Berlin. I have reduced the main prizewinners’ entries by one item each in order to include a

Playtime

In Competition No. 2390 you were invited to produce a poem which incorporates the titles of at least eight current West End theatrical productions. What with on the town, the anniversary, the birthday party, guys and dolls and blithe spirit, celebration was the keynote. ‘How we laughed to see the woman in white tights/Do cartwheels

Pyjama game

In Competition No. 2389 you were invited to provide a short story or anecdote entitled ‘Mishap with Pyjamas’. The germ of this competition was a statistic presented to me on television: last year 22 cases of admission to hospital came under the heading ‘mishaps with pyjamas’. My mind grew feverish trying to imagine the different

Anti-picturesque

In Competition No. 2388 you were invited to offer a poem expressing aversion to an object or person popularly regarded as picturesque. Is it ironical, a fool enigma,This sunset show?…Is it a mammoth joke?… These unconventional lines were written when Victoria was on the throne by T.E. Brown, best known as the author of that

Enter the villain

In Competition No. 2387 you were invited to provide a sketch of a villainous character on their first appearance in an imaginary novel. I turned at once to Dickens, whose introductory descriptions of characters are usually so vivid, and was surprised that when Fagin enters we are told nothing about him except that he had

Ego Trip

In competition No. 2386 you were invited to provide an extract from an imaginary autobiography of a boaster. The dramatic critic James Agate unabashedly called his diaries, in nine volumes, Ego. Cellini was a bit of a braggart, but the autobiographer’s cake is surely taken by Frank Harris, just ahead of George Moore, though I