Picking out the plums

‘How much did you say the TV licence cost?’ asks my American friend. ‘£145.50,’ I reply. ‘One hundred and forty-five pounds,’ she repeats, with astonishment. ‘And everyone has to pay it?’ ‘Yep. Every home with a TV.’ ‘That’s a lot of money.’ My friend is an economist, with the ability to be as precise about

Wodehouse to the rescue

I knew this would happen: I’ve been watching season five of Mad Men on DVD and it’s spoiled me for normal telly. If you notice increased levels of toxicity — dissatisfaction and disgruntlement — in the following grumblings, then Mad Men is the reason.  Nothing pleases me so much, you see, and I am likely

Blow up

Here is a Quentin Tarantino film that, like all Quentin Tarantino films, is a typical Quentin Tarantino film, in the style of Quentin Tarantino, in that he takes a familiar trope, nods at it, toys with it, pokes it about, swills it round his mouth, then blows the whole thing up. I wonder if he

Why Rubens should go

The Blow family has had its disasters. There has been madness, murder and suicides. But before those mishaps there was a good man, my grandfather Detmar Blow. In the 1900s he was at his height as a young architect. His practice was large. Larger, I was told by Sir Edwin Lutyens’s daughter, Mary, than that

Letter from the Foodbank

It’s our foodbank’s first winter. We started collecting food and giving it to people who haven’t got any in August. Since then we have had to open two more distribution centres in our corner of Norfolk, and we have two more planned for the near future. When we started, we were the 194th UK foodbank

Acting up | 17 January 2013

There was a time when the major objection to operatic performances, by those who were wondering whether or not to give them a try, was the level of acting in them. That was in the days before ‘elitism’ and other excuses had been invented. I haven’t heard much about that lately, though of course there

Lloyd Evans

Curiouser and curiouser | 17 January 2013

A tragicomic curiosity at the Finborough written by Hebridean exile Iain Finlay Macleod. The show opens with James, a young Gaelic-speaker, running an internet start-up in London. Business booms. He grows rich and marries his gorgeous university squeeze. The only snag in his life, and it’s quite a serious one, is that he suffers from

My Venezuelan jail hell

There are two conditions British foreign correspondents must meet before they can consider themselves old hands. The first is having one’s work savaged by John Pilger; the second is spending time inside a cell somewhere abroad, preferably somewhere exotic and hot. It so happens that it was during a trip to sultry Venezuela that I

Rod Liddle

How Moore, Burchill and Featherstone all had a lovely bitch fight

  ‘Women … are angry with ourselves for not being happier, not being loved properly and not having the ideal body shape — that of a Brazilian transsexual.’ — Suzanne Moore   One of these days, not too far away, the entire bourgeois bien-pensant left will self-immolate entirely leaving behind nothing but a thin skein

Fabulous

In Competition No. 2780 you were invited to write, in the spirit of Aesop or La Fontaine, a rhymed fable involving animals. Plato wrote in Phaedo that Socrates whiled away the hours in captivity turning some of Aesop’s Fables into verse. La Fontaine did the same, of course, though not from behind bars, some 2,000

Growing old disgracefully | 17 January 2013

Virginia Ironside’s novel, No! I Don’t Need Reading Glasses (Quercus £14.99) about a 65-year-old granny who belongs to a local residents’ association and does a fair bit of knitting may not sound like the most alluring reading. Then there’s the title — facetious and forgettable at the same time. It would be less embarrassing to

Understated elegance

A man raised by apes is discovered in Africa, recognised as an English lord, and escorted home. At a formal dinner, he raises a bowl of soup to his lips and slurps noisily. His grandfather, noting consternation among the other guests, immediately does the same, murmuring, ‘Quite right! Quite right! I hate spoons.’ This scene

The greatest puzzle of all | 17 January 2013

A few months before he passed away, responding to a question about his doubts and beliefs, Jorge Luis Borges offered a rapt and potted account of the many cultural and religious registers in which human beings have for centuries been telling themselves stories about their own deaths. He then posed the following question: ‘Where does

Delish!

An English peculiar, the -ish feeling comes from arriving at eightish, peckish, giving one’s hostess a warm kiss, at home among Leticia’s crowd, sardonic, lusty and brisk. Between the lettuce and the liquorice, I talk to an egyptologist who dabbles in hypnosis; intrigued, I let her practice, and see my parents farming radishes on a

Bach, the Beatles and back

Leaping from Paleolithic cave paintings to Egyptian tombs to Gregorian chant in barely half a chapter, as Howard Goodall does in his breezy but effective The Story of Music, requires panache. He compresses several millennia into little over 300 pages with the first 40,000 years — when admittedly little happened beyond some inter-cave sonar-style singing

Italy’s first Duce

There is something to be said for a bald-headed gnome with the power, according to his biographer, to seduce any woman he wanted, including the most celebrated and desirable actress of the day, despite being handicapped by red-rimmed eyes, bad breath and crooked teeth ‘of three colours, white, yellow and black’. And something more deserves

Part of the pantheon

Henry Fonda once said that he had never had any ambition to be a film star. But then how could a man want to become someone who came out of nowhere, had no past, so that even the names we know them by were mostly not ones bestowed on them by their parents and the