Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Why we’re flocking to matinees

Arts feature

The Starland Vocal Band were on to something. In their 1976 hit ‘Afternoon Delight’ they sang, in gruesomely twee harmony: ‘Gonna grab some afternoon delight/ My motto’s always been when it’s right it’s right/ Why wait until the middle of a cold, dark night?’ Granted, they were singing about rumpy-pumpy, not theatre-going, but for many

I genuinely feared The End would never end

Cinema

Joshua Oppenheimer’s The End is a ‘post-apocalyptic musical’ starring Tilda Swinton and Michael Shannon that is being sold as a ‘bold vision’. And as you know I’m all for bold visions – except perhaps ones that go on for two and a half hours (I genuinely feared The End would never end) and give the

Sam Leith

Ridiculously fun: Assassin’s Creed – Shadows reviewed

More from Arts

Grade: A Sometimes you want to admire the pluck and inventiveness of an indie developer. At other times, you just want to sink into some thumping AAA franchise that’s thrown all the time, design talent and VC megabucks in the world at the screen. The new Assassin’s Creed has you covered there. Irresistibly, it’s set

Lloyd Evans

I wish someone would kill or eat useless Totoro 

Theatre

My Neighbour Totoro is a hugely successful show based on a Japanese movie made in 1988. The setting is a haunted house occupied by two little girls who encounter various creatures rendered on stage by puppets. The story has no action, danger or jeopardy so it’s likely to bore small boys and their dads. Perhaps

Rembrandt’s print revolution

Rembrandt was ‘largely self-taught as a printmaker’, according to Epco Runia, head of collections at Rembrandt House Museum. ‘[He] learned by looking at examples and simply trying things out,’ Runia writes in the guide that accompanies this fine show (which will travel to Charleston in October and Cincinnati next winter). Etching had only been around

Why was this fêted Mexican painter left out of the canon?

Arts feature

Think of a Mexican painting, and chances are you’ll conjure up an image of an eyebrow-knitted Frida Kahlo, or a riot of exotic figures by her husband Diego Rivera, or a brightly coloured guitarist by Rufino Tamayo. What you’re unlikely to have in mind is an earthy landscape with a dusty road leading to a

Lloyd Evans

Irresistible: Clueless, at the Trafalgar Theatre, reviewed

Theatre

Cher Horowitz, the central character in Clueless, is one of the most irritating heroines in the history of movies. She’s a rich, slim, beautiful Beverly Hills princess obsessed with parties, boys and clothing brands. According to her, the world’s problems can easily be settled by using the solutions she applied to the seating plan at

If ‘wokeness’ is over, can someone tell the Fitzwilliam Museum?

Exhibitions

Optimists believe that the tide of ‘wokeness’ is now ebbing. If so, the message has not yet reached Cambridge, whose wonderful university museum has its classical façade covered in sententious phrases in neon, and which has recently opened a new exhibition in agit-prop style: Rise Up: Resistance, Revolution, Abolition. Such activism is fully in step

The death of touring

Pop

Touring’s not what it used to be. When I were a lad, even big bands would do 30 or 40 shows around the UK to promote their new albums, stopping in places such as Chippenham Goldiggers, Hanley Victoria Hall, Ipswich Gaumont, Preston Lockley Grand Hall that would only see a major act today if they

Barbara Hannigan needs to stop conducting while singing

Classical

Last week, Barbara Hannigan conducted the London Symphony Orchestra in Haydn, Roussel, Ravel and Britten, though to be honest she had me at Haydn. It’s still relatively unusual to encounter him in a symphonic concert, and more than one promoter has told me that Haydn is ‘box office poison’, which is a shocking description of

Netflix’s Adolescence is seriously flawed

Television

Bradley Walsh: Egypt’s Cosmic Code may sound like a pitch by Alan Partridge – but, impressively, the programme itself manages to be even odder than its title. Naturally, Tuesday’s opening episode began with Bradley emphasising that his interest in Ancient Egypt long predates his signing of the contract for the show. Indeed, it was back

Jenny McCartney

I just don’t get P.G. Wodehouse

Radio

I have a confession to make, which may upset many readers. Having only a passing acquaintance with his books, I’ve long experienced a faint allergic reaction to the works of P.G. Wodehouse. It is, I think, to do with the mannered, heavily whimsical nature of his world; the circumlocutory sentences; the ‘right-ho’s and ‘dash it’s

A luminous new recording of The Dream of Gerontius

The Listener

Grade: A– There’s a species of music-lover who enjoys pointing out that Elgar isn’t played much on the Continent – the musical equivalent of those social media bores who pop up each April to reveal that Saint George was Turkish, ackshully. It’s all rot, of course. Some of the best Elgar performances of recent years

Damian Thompson

The filthy side of Dame Myra Hess

Classical

The photograph on the cover of Jessica Duchen’s magnificent new biography of Dame Myra Hess shows a statuesque lady sitting at the keyboard, hair swept back into the neatest of buns. Add a pair of half-moon spectacles and she could be Dr Evadne Hinge, accompanist to Dame Hilda Bracket. This isn’t to imply that Dame

The art of sexual innuendo

Exhibitions

Paula Rego’s 2021 retrospective at Tate Britain demonstrated that, among art critics, ambiguity is still highly prized as a measure of merit. Martin Gayford: ‘No one, including its creator, can be aware of everything that’s going on.’ Laura Cumming at least gave examples. Of ‘The Cadet and his Sister’ (1988), she commented: ‘Bondage – physical,

Irresistible: Osipova/Linbury reviewed

Dance

One of the few indisputably great ballerinas of her generation, Natalia Osipova is a magnificent exemplar of the Russian school, her training at the Bolshoi furnishing her with a steely security of technique, powerful stage personality, and spirit of dauntless daring. Happily based at the Royal Ballet since 2013, she’s now also one of ours.

The true birthplace of the Renaissance

Arts feature

The baby reaches out to touch his mother’s scarf: he studies her face intently, and she focuses entirely on him. There is connection; there is familiarity; there is love. It could be one of the pictures on my phone from last weekend of my daughter with her six-month-old. In fact, it dates from Tuscany c.1290,

The greatest paintings are always full of important unimportant things

Exhibitions

Goya to Impressionism: Masterpieces from the Oskar Reinhart Collection, at the Courtauld, consists of a selection of 25 absorbing paintings chosen from 207. I was disappointed but not surprised that one of the greatest paintings in the world, Pieter Bruegel the Elder’s ‘Die Anbetung der Könige im Schnee’ (The Adoration of the Kings in the

Finneas has little to offer without his sister Billie Eilish

Pop

No truth is more self-evident than that there are those whose best emerges only when they are paired with others: Lennon and McCartney, Morecambe and Wise, Clough and Taylor. And it’s perhaps even harder for a behind-the-scenes collaborator to step out in their own right. Jack Antonoff, for example, is one of the creative powerhouses