The Critics

Let me tell you about the very rich. They are different from you and me, though if you’ve spent much time in the world of classical music, and you hadn’t realised just how different, you could do worse than attend an opening night at Grange Park Opera. True, Grange Park’s founder, Wasfi Kani, is famously adept at cultivating donors: you don’t build an opera house on the late Duchess of Roxburghe’s Surrey estate without a certain fundraising flair. It was when Joanna Lumley shimmered on stage in a midnight-blue ball gown and suggested that we might each like to leave the company at least £25,000 in our wills that I really choked on my prosecco. Coming from the hardscrabble world of the subsidised arts (and used to ticking a hundred Arts Council boxes to scrape together a measly couple of grand), it was like tumbling into a parallel dimension.

My guest in this week’s books podcast is Mary Ann Sieghart, whose new book The Authority Gap accumulates data to show that so-called 'mansplaining' isn’t a minor irritation but the manifestation of something that goes all the way through society: women are taken less seriously than men, even by other women. She says it’s not just 'wokery' to point it out, and she makes the case for how she thinks it came to be, what we can do to change it, and why we should take the trouble.

Painting is a fight and few artists demonstrate this more emphatically than the volatile and complicated post-war master, Joan Eardley. Scotland’s great English artist or England’s great Scottish artist, box her as you will, she’s revered north of the border, but often oddly dismissed south of it. The Scottish public have been enthralled by her work for decades, and spoiled in their access to it, with 60 or so pieces in the National Galleries of Scotland collection alone (the Tate has just one). You’re rarely far from an Eardley here, and never more so than in this, her centenary year, which sees some 20 shows and events lined up to celebrate her life and work. Only one of the exhibitions is in England, the country of Eardley’s birth.