Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Jarvis Cocker still has the voice – and the moves

Pop

For bands of a certain vintage, the art of keeping the show on the road involves a tightly choreographed dance between past and present, old and new, then and now. It’s not a one-way transaction: there should be some recognition that the people you are playing to have also evolved since the glory years of

Damian Thompson

Astonishing ‘lost tapes’ from a piano great

Classical

These days the heart sinks when Deutsche Grammophon announces its new releases. I still shudder at the memory of Lang Lang’s 2024 French album, in which he drooled over Ravel’s Pavane pour une infante défunte; when I reviewed it I suggested that if the poor girl wasn’t dead when he started, then she certainly was

James Delingpole

Style, wit and pace: Netflix’s Dept. Q reviewed

Television

Can you imagine how dull a TV detective series set in a realistic Scottish police station would be? Inspector Salma Rasheed would have her work cut out that’s for sure: the wicked gamekeeper on the grisly toff’s estate who murdered a hen harrier and then blamed its decapitation on an innocent wind turbine; the haggis

Lloyd Evans

Superb: Stereophonic, at Duke of York’s Theatre, reviewed

Theatre

Stereophonic is a slow-burning drama set in an American recording studio in 1976. A collection of hugely successful musicians, loosely based on Fleetwood Mac, are working on a new album which they hope will match the success of their previous number one smash. This is an absolute treat for anyone who appreciates subtle, oblique and

Magnificently bloodthirsty: 28 Years Later reviewed

Cinema

First it was 28 Days Later (directed by Danny Boyle, 2002), then 28 Weeks Later  (Juan Carlos Fresnadillo, 2007) and now Boyle is back at the helm with 28 Years Later, which is, as I understand it, the first in a new trilogy. This post-apocalyptic horror franchise could go on for ever. As the last

The rose-tinted view of female friendship shatters

More from Books

There is no such thing as a bad friend. The societal expectations and collective imagination of what friendship should look like have, over the past century, set unrealistic expectations, meaning we are all doomed at some point to fail as friends. At least this is what the cultural historian Tiffany Watt Smith argues in her

Cindy Yu

Haunted by my great-grandfather’s second wife – by Alice Mah

More from Books

Alice Mah didn’t enjoy finding her roots. Even though ‘ancestor tourism’ is increasingly popular among westernised descendants of Chinese émigrés like her, she felt a nameless sort of dread when visiting the village in the Cantonese county of Taishan where her great-grandfather came from. It didn’t help that she’d just attended the morbid Qingming festival,

The bloodstained origins of the Italian Renaissance

More from Books

War – huh – what is it good for? According to Duncan Weldon, throughout most of history it’s been fantastic for economic growth and development and has perhaps fuelled technological innovation and more. Blood and Treasure is a delightfully quirky approach to military history. Colonial Spain was thought to be cursed by the gold brought

North and South America have always been interdependent

More from Books

In 1797, following a written plea for troops to counter an incursion by an American Revolutionary War veteran into Louisiana, Manuel Godoy, minister to the Spanish crown, made a note in the margin: No es posible poner puertas al campo (‘It is not possible to put up doors in a field’). Both literally and metaphorically,

The stigma still surrounding leprosy

More from Books

One of the earliest leper hospitals in Britain was built in London near the beginning of the 12th century by Queen Matilda, the wife of Henry I. It was a benign combination of housing, hospital and chapel, with patients free to come and go as they wished. Matilda started a fashion among the wealthy, so

A small world: Shibboleth, by Thomas Peermohamed Lambert, reviewed

More from Books

Two shibboleths are treated in Thomas Peermohamed Lambert’s audacious debut novel. The first is the University of Oxford; the second is the Israeli-Palestinian controversy. ‘It is the great issue, isn’t it? The great shibboleth.’ Edward, the protagonist, is a state-educated undergraduate whose connection to Islam is a Muslim grandfather from Zanzibar. He finds himself in

Comfort reading for the interwar years

More from Books

A prospective reader who chanced upon Recommended! without its subtitle might be forgiven for thinking that the six grim-looking portraits on the cover depict the Watch Committee of an exceptionally puritanical interwar-era seaside town. This would be a misjudgment, as, rather than being charged with censoring films or evicting courting couples from cinema back rows,

Is nothing private any more?

More from Books

How did the UK become a place where young people think it’s permissible to record a relative at home and make that recording public? Why has privacy been so easily discarded, and why have people welcomed its demise so they can control the behaviour of others? A few years ago, when I taught at university,

‘Genius’ is a dangerously misused word

More from Books

For several centuries, the word ‘celebrity’ meant fame. A couple of hundred years ago, it acquired a secondary meaning of a person overendowed with that quality, and this has now largely driven out the previous usage. In parallel, the same journey has been travelled by ‘genius’. Once an essence that attached to works or deeds,

The importance of feeling shame

Lead book review

In several homilies, the late Pope Francis spoke of the ‘grace of feeling shame’. What a strange idea! Nobody wants to feel shame. Adam and Eve, after all, first felt shame only after being expelled from the Garden of Eden. Shame was God’s punishment: they felt ashamed of what had never troubled them before, namely

The Renaissance master who rescued polyphonic music

Arts feature

Last month I watched conductor Harry Christophers blow through what sounded like an arthritic harmonica but in fact was a pure-toned pitch pipe, which handed the singers of his vocal group the Sixteen their starting notes. Then the Kyrie from Giovanni Pierluigi da Palestrina’s Missa Regina coeli unfolded inside the resonant splendour of St James’s

How do you exhibit living deities?

Exhibitions

The most-watched TV programme in human history isn’t the Moon landings, and it isn’t M*A*S*H; chances are it’s Ramayan, a magnificently cheesy 1980s adaptation of India’s national epic. The show has a status in India that’s hard to overstate. Something like 80 per cent of the entire population watched its original run; in rural areas

Darkly comic samurai spaghetti western: Tornado reviewed

Cinema

Tornado is a samurai spaghetti western starring Tim Roth, Jack Lowden and Takehiro Hira (among others). Samurai spaghetti westerns aren’t anything new. In fact, we wouldn’t have spaghetti westerns if it weren’t for the samurai genre – Sergio Leone’s Fistful of Dollars (1964) was, as Clint Eastwood conceded, an ‘obvious rip-off’* of Akira Kurosawa’s Yojimbo

The charm of Robbie Williams

Pop

What could it possibly feel like to be a sportsperson who gets the yips? To wake up one morning and be unable to replicate the technical skills that define you. To suddenly find the thing you do well absolutely impossible. Golfers who lose their swing, cricketers whose bowling deserts them, snooker players who can’t sink

Summer opera festivals have gone Wagner mad

Opera

Another week, another Wagner production at a summer opera festival. This never used to happen. When John Christie launched Glyndebourne in the 1930s, he hoped to stage the Ring. So he gathered a team of refugee musicians from Germany, who quickly assured him that it was impossible and he should stick to Mozart. The man

Lloyd Evans

Ingenious: the Globe’s Romeo & Juliet reviewed

Theatre

Cul-de-Sac feels like an ersatz sitcom of a kind that’s increasingly common on the fringe. Audiences are eager to see an unpretentious domestic comedy set in a kitchen or a sitting-room where the characters gossip, argue, fall in love, break up and so on. TV broadcasters can’t produce this sort of vernacular entertainment and they

Channel 4’s Beth is a sad glimpse into the future of terrestrial TV

Television

On the face of it, Beth seemed that most old-fashioned of TV genres: the single play. In fact, Monday’s programme was the complete version of a three-parter made for YouTube and excitedly announced as Channel 4’s first-ever digital commission. A less excited interpretation, however, might be that it was Channel 4’s first sign of surrender

Olivia Potts

Should family history, however painful, be memorialised forever?

More from Books

Be under no illusions: this is not a food memoir. Chopping Onions on My Heart is a linguistic exploration of belonging; a history of the Jewish community in Iraq; and an urgent endeavour to save an endangered language. Above all, it is a reckoning with generational trauma. The subjects of Samantha Ellis’s previous books include