Emily Wilson, the distinguished translator of Homer, has remarked that Pat Barker’s The Silence of the Girls about the Trojan War is a distinctly feminist book. Renowned for her first world war Regeneration trilogy, Barker has now written a powerful novel about the first part of Aeschylus’s Oresteia. She takes the infrastructure of legend and
Pearson Converse teaches literature at Verlaine University, Pennsylvania. She exists in an alternative universe to our own in which the Mental Parity Movement holds sway. There is intellectual levelling, and no ‘cognitive discrimination’. This is high satire, exaggerated, crude, inviting ridicule of the social system portrayed, close to the great satirists of the 18th century
The philosopher and statesman Francis Bacon wrote: ‘All rising to great place is by a winding stair.’ This historical novel is about him and his use of it. The way up is long, intricate and difficult; downwards there is nothing to ‘slow his fall’. His antagonist in his ascent to worldly power was the lawyer
Last Post is a collection of reminiscences, anecdotes and a settling of old scores by Frederic Raphael in the form of imaginary letters to many of the people who have been part of his long life. You might expect a nonagenarian’s critical faculties to have ‘mellowed by the stealing hours of time’, but far from
‘Spare thou them, O God, which confess their faults.’ A.N. Wilson seems, on the surface, to have taken to heart the wise words of the Anglican general confession. Aged 71, he looks back on his life and career and records his regrets and failures both private and professional. His major concern is the failure of
Who would have thought that someone would write a novel about Josef Mengele, the Auschwitz doctor and infamous experimenter on live human bodies? Other characters in the French writer Olivier Guez’s story are also from the Nazi gang of debased criminals: Adolf Eichmann, Franz Stangl, the concentration camp commandant, and Klaus Barbie, the Butcher of
A Little Hope, Ethan Joella’s debut novel, is about the lives of a dozen or so ordinary people who live in smalltown East Coast America. By helicopter over Connecticut ‘you wouldn’t notice Wharton right away’. Yet the problems its inhabitants face are universal. There is the seemingly American Dream family – Greg, Freddie, Addie the
This is the kind of novel that will be discussed jubilantly in the book clubs of places like Lib Dem north Oxford. It is a social polemic disguised as fiction. Maggie Gee’s concerns are topical: migration, global warming, ‘the virus’, colour prejudice and first nations. The Red Children will be selective in its appeal. Strange
Apart from what the title tells us, these stories are about a fundamental difference in cultures. Huma Qureshi writes like a psychotherapist, considering, analysing, explaining, seeking out conflicts, evasions, and discomforts. The clash is between London and Lahore, Britain and Pakistan. The girls who appear in these tales are westernised, but still hostages to their
Lendal Press has found a brilliant novelist in Matt Cook: funny, shrewd, satirical, disturbingly and entertainingly analytical in his psychology of character. This debut novel is narrated by a precocious 14-year-old, Benjamin Carter, whose family on his father’s side is having a collective nervous breakdown. Great-Aunt Pearl has died; her derelict house, ‘a riot of
Detective Inspector Jim Stringer is back. This is a York novel, or rather a Yorkshire crime novel. The LNER railway policeman investigates a supposed double murder, tracing a young fairground sharpshooter, Kid Durrant, through the Yorkshire countryside. The action takes place over five days in early December 1925, but is interspersed with flashbacks to the
Talbot Kydd, film producer; Anny Viklund, American actress; Elfrida Wing, novelist; these make the trio of the title. Private lives are the issue. Wing’s long-suffering agent tells her if you want to know what’s going on in people’s heads, ‘behind those masks we all wear — then read a novel’. The main setting of Trio
This novella is suited to our fevered times. Scheduled to coincide with the Swindon spring festival of literature, now cancelled, it reflects the way we are now living. Inspired by the collective imagination of a Swindon book group, Alice Jolly has written a prophetic story. The narrator is Janey, married to the older Phil and
Poor Cassy. The Miss Austen of this novel’s title is Cassandra, Jane’s elder sister. She was to have married Thomas Fowle, but he died of yellow fever in 1797 on an expedition to the West Indies. Before he left, she vowed to remain faithful to him and, if he didn’t return, never to marry anyone
You might think The Carer rather an unpromising title, but Deborah Moggach’s book delivers a wickedly witty entertainment. Towards the end, she describes the setting where a crucial event takes place — ‘somewhere as humdrum as a caravan park, toilet block, clock golf, Tupperware’. So very good at describing the ordinary, she transforms it into
The scene is London in 1667, the city recovering from the Great Fire the year before, with 80,000 people homeless and refugee camps established on the outskirts. Andrew Taylor introduces his readers to life as it survived there and involves them in the politics of Charles II’s court. Cobblestones are ‘slick with rain’, rushlights smell
‘I still think he was a bastard.’ This is the opinion that Julia, daughter of the novelist Arthur, has about Peter Abelard. In Melvyn Bragg’s narrative, Arthur is finishing his novel about Abelard and Heloise, living in Paris, separated from his wife, and visited by Julia. She gives a modern woman’s view of the behaviour
In the opening pages of Turbulence, a woman in her seventies, who is visiting her sick son in Notting Hill, thinks how easy ‘it was, these days, to acquire a plane ticket’. Instead of a ticket to take us around the world, we have David Szalay’s novel, which takes us across continents in a series
The polymath writer A.N.Wilson returns to the novel in Aftershocks, working on the template of the 2011 earthquake which devastated Christchurch, New Zealand. He protests that the setting is not New Zealand but, as he admits, there are many recognisable similarities. This is a novel about true love, its agonies, ecstasies, and eventual fulfillment, told
Tim Winton’s novel about a journey of teenage male self-discovery is raw, brutal and merciless. You need to be familiar with Australian vernacular to appreciate the first-person narration by the young protagonist who says he is 17 but is thought to be ‘more like 15’ by an old renegade Irish priest he meets in the
