Original sin | 17 March 2016

The Royal Opera has bitten the bullet so far as Musorgsky’s Boris Godunov goes, and opted to stage the original 1869 version, with no modifications or additions from his revised 1874 edition, which used to be called ‘definitive’ but which seems to be under a cloud nowadays. Rimsky-Korsakov’s version has been pushed right to the

Building block | 17 March 2016

High-Rise is Ben Wheatley’s adaptation of J.G. Ballard’s novel, and it is deeply unpleasant, if not deeply, deeply unpleasant. (Ideally, I would wish to repeat ‘deeply’ several hundred times, but I do not have the space.) Based on the dystopian notion of tower-block residents regressing into a primitive state once societal norms and the class

Second thoughts | 17 March 2016

You revisit an old love with wariness. Time’s passed for both of you — sharp edges have been smoothed, and reputations built. But seeing Kaash again last week, Akram Khan’s tremendous debut ensemble work, made when he was 26, revived at Sadler’s Wells now that he is 41 and a world name, I felt the

Preposterous pet

In Competition No. 2939 you were invited to submit a poem about a famous person and an unlikely pet. There’s plenty of inspiration out there in the real world. A photograph from 1969 shows Salvador Dalí emerging from the subway, his rather dejected-looking pet anteater in tow. And then there is Gérard de Nerval, who

Bribes, bickering and backhanders

The decrepitude of old age is a piteous sight and subject. In his second book Michael Honig — a doctor-turned-novelist and sharp observer of the body’s frailties, and the mind’s — zanily explores it through the imagined senility of Vladimir Putin, once supremely powerful, now struggling to tie his laces. The horror, sadness and momentary

A sex vampire on wheels

The title of this book tells you a lot. Jack Sutherland, who grew up in London and Los Angeles, worked as a personal assistant to Michael Stipe, the singer in REM and, later, to Mickey Rourke. He also worked as a limo driver in Hollywood. A drug addict, he gravitated toward crystal meth, which can

Pox-ridden and power-crazed

Poor old Henry IV: labelled (probably unfairly) as a leper, but accurately as a usurper, he has been one of England’s most neglected monarchs. He is best known through his Shakespearean starring roles — which little resembled the real man, according to Chris Given-Wilson — and as the father of the ultimate warrior-king, Henry V,

Rod Liddle

Everything in black and white

This is a quite remarkable book. Badly written, devoid of anything even vaguely approaching a methodology, patronising, hideously mistaken on almost every page — and yet it does, inadvertently, answer the very question posed in its introduction: why are certain sections of the white working class so angry about immigration and Islam? The author is

Mother courage

Helen Stevenson’s daughter Clara has cystic fibrosis. Love Like Salt is an account of living with the disease, but it is much else besides. Stevenson calls it a memoir, because it is an intensely personal version of events. It is also a scrapbook, a commonplace book, a series of meditations, an exercise in self-scrutiny. It

One of history’s saddest chapters

One afternoon in the early 1990s, an elderly gentleman from Alicante told me of the tragedy that had occurred at his city’s port on the last day of the Spanish Civil War. He pointed towards the docks and in a hurried whisper spoke of the many thousands of desperate Republicans who had gathered there at

Too high, too fast

You have to get nearly halfway through this book before it starts to show some life. Until that point, as Rowan Moore ambles in his wry manner through pages of familiar description of the capital’s built and social history, you find yourself wondering what it is all for. After all, if you choose to write

A gift from beyond the grave

When Virgil died at Brindisium in 19 bc, on his way back to Rome from Greece, he left the Aeneid unfinished. When Seamus Heaney died in Dublin in 2013, his translation of Book VI was also unfinished, but like the whole of the original, his 1,222 lines were found to be in a publishable condition

Osborne’s new sugar tax is a tax on the poor

The fat man of Europe is getting fatter. His teeth are rotting from the sugar in his coke and chocolates. He feeds his children bread and pasta instead of quinoa and couscous. It is time to tax the fat man – he must learn to stop eating sugar. And today, George Osborne has acted. In his

Fraser Nelson

Budget 2016, in eight graphs

Chart 1: Growth downgraded. Not by much, but Osborne sails so close to the wind that every negative revision tends to knock him off course. Chart 2: So Osborne’s new debt target is missed already. He said the debt/GDP ratio would fall every year: a target he took right to the limit in his Autumn Statement.

Full text of Jeremy Corbyn’s Budget speech

[audioplayer src=”http://rss.acast.com/spectatorpolitics/georgeosbornesbudget-2016/media.mp3″ title=”Fraser Nelson, Isabel Hardman and James Forsyth discuss the Budget”] Listen [/audioplayer]Thank you Mr Deputy Speaker. The Budget the Chancellor has just delivered is actually a culmination of six years of failure. This is a recovery built on sand and a Budget built on failure. The Chancellor has failed on the budget deficit failed on

Lloyd Evans

Budget Sketch: George Osborne finally dropped the conservative pretence

[audioplayer src=”http://rss.acast.com/spectatorpolitics/georgeosbornesbudget-2016/media.mp3″ title=”Fraser Nelson, Isabel Hardman and James Forsyth discuss the Budget”] Listen [/audioplayer]If George Osborne was ever a conservative he dropped the pretence today. The chancellor sounded risibly pompous as he declared his plan to impose a slimming regime on Britain’s heaving population of wobble-bottoms. A levy on fizzy pop will arrive in 2018.

James Forsyth

Budget 2016: George Osborne played a difficult hand well

[audioplayer src=”http://rss.acast.com/spectatorpolitics/georgeosbornesbudget-2016/media.mp3″ title=”Fraser Nelson, Isabel Hardman and James Forsyth discuss today’s Budget”] Listen [/audioplayer]George Osborne played a difficult hand well in this Budget. Hemmed in by the worsening fiscal forecasts and the political limitations that the EU Referendum imposes on the government, he delivered a Budget that included some clever politics even if it won’t