In Deaths of the Poets two living examples of the species, Paul Farley and Michael Symmons Roberts, retail the closing moments of close on 30 poetical lives, ranging from Thomas Chatterton to Robert Frost, Lord Byron to Rosemary Tonks, John Clare to Thom Gunn. Why? Because they feel the influence on ‘our’ generation (Farley was born in 1965 and Symmons Roberts in 1963) of the ‘confessional’ American poets, several of whom cast a solemn glamour over their calling by killing themselves — John
Berryman, Sylvia Plath, Anne Sexton.
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