Lloyd Evans Lloyd Evans

Sorry, Gillian Anderson, but you’ve caught the wrong Streetcar

The acting is as good as the casting will allow, but this Young Vic production feels like a stammering lawyer interrogating a corpse

Gillian Anderson in A Streetcar named Desire [Johan Persson] 
issue 09 August 2014

Streetcar. One word is enough to conjure an icon. Tennessee Williams’s finest play, written in the 1940s, is about a fallen woman trying to salvage her reputation before madness overwhelms her. All its horror and tension rely on the Victorian code that required a single woman to appear morally pure or to face ruin in the marriage market.

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