Bevis Hillier

A big talent spotted

In the late 1960s I was reviewing books in the Sunday Times alongside the great Cyril Connolly, and got to know him a bit. He said that the moment which compensated for the acres of tripe he had had to plough through in his career as a critic was when one of Evelyn Waugh’s early novels landed on his desk. He recognised genius.

In over 40 years of reviewing I have been waiting for that ‘A star is born’ moment, and I think it has now come. I could be making as big a howler as Gertrude Stein when she claimed that Sir Francis Rose was an artist in the same league as Picasso; but Anne Lambton’s short stories — her first book — strike me as of superfine quality: the emotional insight of Katherine Mansfield, the satirical edge of Angus Wilson.

A little biographical detail is needed. Anne Lambton’s father was the very rich Lord Lambton, who renounced his peerage but had to resign as a junior defence minister after being photographed in bed with two prostitutes. Anne nearly married Andy Warhol (not everyone’s idea of husband material), but failed to agree a suitable pre-nup with the artist whose ‘bodyguard’ she had become.

This background is relevant. Many of the stories are about people whose fortune is their misfortune — poor little rich girls and shop-soiled debs’ delights. They are not quite riches-to-rags tales but head that way. Lambton’s extraordinary life equips her to write about high society, café society, artists, art galleries, musicians and filming. It is a background that sets her apart; but what is lost in universality is gained in the open sesame to privileged enclaves and way-out coteries. Giuseppe di Lampedusa (another writer with whom she bears comparison) gives us similar access.

Lambton’s title story and others are set in Los Angeles.

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