Rupert Christiansen

A farrago of Blakean mysticism and steampunk twaddle: BalletBoyz’s England on Fire, at Sadler’s Wells, reviewed

Time for this pioneering company to get back to rigorously choreographed basics

Apocalypse now: BalletBoyz's England on Fire at Sadler's Wells. Photo: Thomas Bradshaw

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Want to join the debate?

Join the conversation with other Spectator readers by getting your first 3 months for just £3.

Already a subscriber? Log in