Charles Moore Charles Moore

A fitting exit for the self-publicising Lady Warsi

Plus: An undervalued curator, the death of Margaret Thatcher’s first boyfriend, and the secrets buried in email spam

Baroness Warsi resigned over Gaza conflict Photo: Getty 
issue 09 August 2014

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_07_August_2014_v4.mp3″ title=”Douglas Murray and Tim Stanley discuss Baroness Warsi’s resignation” startat=462]

Listen

[/audioplayer]At the impressive Westminster Abbey vigil to mark the centenary of the first world war on Monday night, there was one big candle for each quarter of the Abbey, and one dignitary assigned to each candle. At different points in the service, each dignitary would extinguish his or her candle. Then the rest of us in the relevant area, all equipped with candles, would follow suit. The lamps went out, as it were, all over Europe. One thing niggled. I was in the South Transept, and our big-candle snuffer was Lady Warsi, Minister of State at the Foreign Office. I complained to friends that her prominence fell below the level of events. She was always a self-publicising minister — an Asian Edwina Currie — and she is notably sectarian. I had no idea, however, that she would resign the next day, once her little moment of history was passed, professing anger about Gaza policy. Her ill-advised appointment by David Cameron was tokenist, and so she gave no loyalty. Her resignation was tokenist too. How long before she pops up in another party?

Ever since Mr Blair’s New Dawn of 1997, the dominant idea in public policy towards public collections has been ‘access’. The doctrine is more than half-right: art, antiquities etc paid for by the public are not doing their work unless we can see them. But it has promoted the heresy that the person chosen to run every museum must be a communicator rather than a scholar. Actually, both is best. True, some learned persons are interested only in objects and cannot communicate with the human race, but the best evangelisers for a museum or gallery are the people who really know its contents.

GIF Image

Disagree with half of it, enjoy reading all of it

TRY 3 MONTHS FOR $5
Our magazine articles are for subscribers only. Start your 3-month trial today for just $5 and subscribe to more than one view

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in