Elizabeth Goldring

A passion for painting at the early Stuart courts

Charles I’s patronage of the arts, in particular, inspired his courtiers to commission their own family portraits and spend fortunes on acquiring Venetian masterpieces

Henry, Prince of Wales, by Robert Peake, 1610. [Alamy]

Already a subscriber? Log in

This article is for subscribers only

Subscribe today to get 3 months' delivery of the magazine, as well as online and app access, for only £3.

  • Weekly delivery of the magazine
  • Unlimited access to our website and app
  • Enjoy Spectator newsletters and podcasts
  • Explore our online archive, going back to 1828

Comments

Join the debate for just $5 for 3 months

Be part of the conversation with other Spectator readers by getting your first three months for $5.

Already a subscriber? Log in