When Philippe Labro, novelist, journalist, cineast, television producer and man about Paris, woke up one morning in 1999 at his usual hour of three o’clock it was with a profound and intimate conviction: ‘Quelque chose a changé.’ This was not occasioned by a physical malaise, although his bedclothes, even his pillows, were drenched with sweat, a phenomenon that was to recur in the days and weeks that followed, but something more seismic, what Scott Fitzgerald had called ‘the crack-up’, a nervous breakdown, unheralded and prolonged, from which he emerged two years later.

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