I usually throw away dust jackets but Robin Lane Fox chose his for a reason. He originally encountered Augustine of Hippo in the spring of 1966, after lunch and his first taste of brandy, in frescoes by Benozzo Gozzoli at San Gimigniano. The quattrocento painter showed a figure with an academic air, in a gown and cake-tin-shaped hat, sitting beneath a tall, smooth-barked fig tree in the garden of a villa, his head in one hand and the fingers of the other on some lines of script in an open book on his knee.
Christopher Howse
Agony and ecstasy in the garden
Robin Lane Fox has made an intense study of a critical decade in St Augustine’s life when he produced his most famous book — ‘like no other, before or since’

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