When I mentioned the subject of this book to someone reasonably well-informed about 20th-century British art, the response was: ‘Isn’t that all portrait and still-life paintings?’ Well, perhaps if you’re looking exclusively at the contents of the Royal Academy Summer Exhibitions – and even there landscape was another popular choice.
Andrew Lambirth
Alive with innovation: British art between the world wars
Frances Spalding describes how the tension of the interwar years gave rise to some of the greatest art of the 20th century

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