Andrew Lambirth on our continuing fascination with the Orient
Almost everywhere you look these days there’s an exhibition to do with China or the Far East. Tinselly young oriental artists are fêted as if they were better than their limp-brained occidental counterparts, and scarcely a considered brushstroke between them. The East is Big Business and there’s more than one specialist agent concentrating on bringing over Chinese contemporary art to deluge the already schmaltz-surfeited English market.

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