Simon Ings

All successful spies need to be good actors

The ability to adopt a fictional persona, learn a script or improvise are as important in espionage as in the theatre, say Christopher Andrew and Julius Green

Greta Garbo as Mata Hari in the 1931 film directed by George Fitzmaurice. [Alamy] 
issue 18 December 2021

On 2 October last year, when he became chief of the UK Secret Intelligence Service (MI6, if you prefer), Richard Moore tweeted (tweeted!): ‘#Bond or #Smiley need not apply. They’re (splendid) fiction but actually we’re #secretlyjustlikeyou.’ The gesture’s novelty disguised, at the time, its appalling real-world implications. Bond was, after all, competent and Smiley had integrity.

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