Laura Gascoigne

An Uffizi Adoration that upstages even the Botticellis

It’s hard to take one’s eyes off this triptych by the shadowy Flemish master Hugo van der Goes, who lost his mind

'The Portinari Altarpiece’, c.1479, by Hugo van der Goes. Image: Bridgeman  
issue 17 December 2022

Tourists who queue for hours outside the Uffizi to see Botticelli’s ‘Primavera’ and ‘Birth of Venus’ are sometimes surprised to find his world-famous paintings upstaged by the work of a non-Italian they’ve never heard of.

At three metres tall and five metres wide, Hugo van der Goes’s ‘Adoration of the Shepherds’ – known as the ‘Portinari Altarpiece’ – is certainly imposing, but it’s not the size that impresses so much as the colour: beside the glow of its Flemish oil paint, Botticelli’s tempera looks pasty.

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