In Competition No. 2487 you were invited to submit a theatrical critic’s response to a production of a modern play in ancient costume. There were easy laughs to be had at the expense of ropy chitons and inadequate loincloths and in general you took a harsh line. Most of you set your jaundiced sights on productions of works by just a few (Pinter, Osborne and Coward loomed large).
Jaspistos
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