Owen Matthews Owen Matthews

Apocalypse Dau

Punches to the face, vomiting and sex are all unsimulated in this vast film-cum-immersive-artwork that's taken ten years to make.

Dau is not so much a film as a document of a mass human experiment. The result is dark, brilliant and profoundly disturbing.

For three years up to 400 people, only one a professional actor, lived for months at a time on a city-sized set specially built for the shoot near Kharkov, Ukraine.

Already a subscriber? Log in

Keep reading with a free trial

Subscribe and get your first month of online and app access for free. After that it’s just £1 a week.

There’s no commitment, you can cancel any time.

Or

Unlock more articles

REGISTER

Comments

Don't miss out

Join the conversation with other Spectator readers. Subscribe to leave a comment.

Already a subscriber? Log in