Richard Bratby

Are we going to have to start taking Calixto Bieito seriously? ENO’s Carmen reviewed

Plus: Gerald Barry shreds Lewis Carroll's prose into verbal kedgeree in Alice's Adventures Under Ground at the Royal Opera House

issue 15 February 2020

Calixto Bieito’s Carmen: three words to make an opera critic’s heart leap. Until quite recently, Bieito was the operatic provocateur of the century — the director who opened Verdi’s Un ballo in maschera with a row of men defecating on stage, and who presented Mozart with a side order of torture porn.

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